Finding composers for anonymous music by comparing its opening bars with attributed copies in RISM.
140 musical matches with no prior identification found in RISM.
Also reviewed: 61 probable matches, 18 unresolved copies, and 143 copies with rejected leads.
A musical match does not settle disputed authorship or establish a new discovery.
Research by Claude; reviewed by Codex. See the method and selected manuscript checks.
| RISM ID | Anonymous copy | Genre | Matches | Incipits | Verdict | Explanation |
|---|---|---|---|---|---|---|
| 1001356492 | D-Rp Ra 41Symphonies–C major | Symphonies | Abel, Carl FriedrichSymphonies–C major | 2 of 3 | Same music | Movements I, III of 3 encoded match: Symphonies–C major (RISM 1001110376, 1.1.1 Allegro). |
| 600236792 | A-Wn E. M. 156aConcertos | Concertos | Alberti, Giuseppe MatteoConcertos–C major | 2 of 3 | Same music | Movements I and III match the Alberti concerto RISM 1001244317 note for note. |
| 400187451 | CH-E 11,11Symphonies–D major | Symphonies | Asplmayr, FranzSymphonies | 1 of 1 | Same music | The one encoded movement matches: Symphonies (RISM 150201388, 1.1.1 Allegro). |
| 850002402 | I-MAav Cart.2 n.15Symphonies–D minor | Symphonies | Asplmayr, FranzAgamemnon vengé | 1 of 2 | Same music | All four encoded bars of Agamemnon vengé agree, grace notes included; the comparator encodes nothing further. |
| 850002422 | I-MAav Cart.14 n.18Overtures–F major | Overtures | Astarita, GennaroLa contessa di Bimbimpoli (Excerpts, Arrangement) | 1 of 1 | Same music | Matches the Sinfonia of Astarita's La contessa di Bimbimpoli (as Gli divertimenti in campagna, Dresden 1783), rhythm and repeat sign included. |
| 850026320 | I-Rc Mss. 6204Overtures–C major | Overtures | Bach, Johann ChristianIl tutore e la pupilla (Excerpts) | 1 of 1 | Same music | Matches the Allegro assai of the Sinfonia of Johann Christian Bach's Il tutore e la pupilla (WarB G 24) and its symphony versions, rhythm included; here headed 'del Sig.r N. N. 1762'. |
| 400014316 | CH-E 199,23Overtures–D major | Overtures | Balbi, IgnazioOvertures–D major | 1 of 1 | Same music | Matches the Allegro of an overture attributed to Ignazio Balbi in four copies, including one headed 'Del Sig.e D.n Ignazio Balbi Dilettante', rhythm included. |
| 450013960 | D-KA Don Mus.Ms. 1799Symphonies–G major | Symphonies | Belletti, G. C.Symphonies–G major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–G major (RISM 190009831, 1.1.1 Allegro). |
| 280004125 | D-RUl Sa 10Operas (Excerpts, Arrangement) | Operas | Bellini, VincenzoLa sonnambula (Excerpts, Arrangement) | 2 of 2 | Same music | The clarinet Andante sostenuto (incipit 1.2.1) is an arrangement of the Quintet from Bellini's La sonnambula (incipit 1.1.1 of RISM 1001235060); the five-bar search also finds other arrangements of the tune. |
| 850604858 | I-OS Mss.Mus.B 3854Symphonies–C major | Symphonies | Benatti, VincenzoSymphonies–C major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–C major (RISM 850604079, 1.1.1 All.o). |
| 850609975 | I-OS Mss.Mus.B 596Overtures–B♭ major | Overtures | Benatti, VincenzoEgeria | 1 of 1 | Same music | The first-violin part matches the Allegro of the overture in Benatti's partial autograph of Egeria in the same library (I-OS Mss.Mus.B 1953), rhythm included. |
| 469190800 | D-Bsa SA 1908Symphonies–D major | Symphonies | Benda, FranzSymphonies–D major | 3 of 3 | Same music | All 3 encoded movements match: Symphonies–D major (RISM 212002745, 1.1.1 allegro assai). |
| 1001318030 | PL-ŁA RM 133Overtures–F major | Overtures | Bernardini, MarcelloLe Nozze di Amore–C major | 2 of 9 | Same music | Two incipits match Marcello Bernardini's pantomime Le nozze di Amore e Psiche in the same library (PL-ŁA RM 265), rhythm included: the opening Allegro at the same pitches (F and G in both; this copy's key signature has one flat, the other none) and the Andante note for note. The other numbers here (nymph and Amore ballets) fit the same pantomime. |
| 190008967 | S-SK 491Symphonies–G major | Symphonies | Bernasconi, AndreaSymphonies–G major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–G major (RISM 170000057, 1.1.1 Allegro). |
| 850026318 | I-Rc Mss. 6208Overtures–C major | Overtures | Borghi, Giovanni BattistaSymphonies–C major | 1 of 1 | Same music | Matches the Overtura of Borghi's Piramo e Tisbe (Florence 1783) and a symphony headed 'Del Sig:r Giovanni Battista Borghi', rhythm included. The record notes that the other parts of this set are in I-Fn MS MUS 298 (RISM 850026319). |
| 850026319 | I-Fn MS MUS 298Overtures–C major | Overtures | Borghi, Giovanni BattistaSymphonies–C major | 1 of 1 | Same music | Matches the Overtura of Borghi's Piramo e Tisbe (Florence 1783) and a symphony headed 'Del Sig:r Giovanni Battista Borghi', rhythm included. Parts of the same set as I-Rc Mss. 6208 (RISM 850026318). |
| 800261847 | GB-Lbl R.M.21.d.13.Symphonies–F major | Symphonies | Cambini, GiuseppeSymphonies concertantes–F major | 1 of 1 | Same music | The one encoded movement matches: Symphonies concertantes–F major (RISM 104650, 1.1.1 Allegro). |
| 455018503 | D-Tu Mk 90 A 19Fantasies | Operas | Canthal, August MartinFantasies–C major | 1 of 3 | Same music Composer disputed | The Larghetto (incipit 1.2.1) matches no. 23 (incipit 1.1.1) of Canthal's fantasies over 25 pitches. The anonymous record notes attributions to Johann Anton André (Bopp 1930) and others. |
| 850607986 | I-OS Mss.Mus.B 4692Symphonies–D major | Symphonies | Caruso, LuigiJefte | 1 of 1 | Same music | The one encoded movement matches: Jefte (RISM 850611268, 1.1.1 Allegro). |
| 851002699 | I-Mdemicheli MSS.Mus 114Concertos–D major | Concertos | Chiesa, MelchiorreSymphonies–D major | 1 of 1 | Same music | The one encoded movement matches Chiesa's symphony in D (RISM 400006391) note for note; RISM catalogues the anonymous copy as a concerto. |
| 190026991 | S-Skma Alströmer saml. 173:11?Symphonies?–D major | Symphonies | Ciampi, Vincenzo LegrenzioArsinoe (Excerpts) | 1 of 1 | Same music | The one encoded movement matches: Arsinoe (Excerpts) (RISM 850008027, 1.1.1 Overtura. Allegro). |
| 210021818 | D-Dl Mus.3556-F-2Idol mio se voi tacete–B♭ major | Operas | Cimarosa, DomenicoI tre amanti | 2 of 2 | Same music | The aria 'Idol mio se voi tacete' matches, with the same words, violin and tenor incipits 1.16.1 and 1.16.2 of Cimarosa's I tre amanti. |
| 270002463 | D-Dl Mus.3556-F-516Overtures–D major | Overtures | Cimarosa, DomenicoL' Amor costante | 3 of 3 | Same music | All three encoded incipits (Allegro assai, Andantino, Allegro con spirito) match the Sinfonia of Cimarosa's L'amor costante in the Dresden score of the same library (Mus.3556-F-512, given as Giulietta e Armidoro in 1790); copies of Il ritorno di Don Calandrino and L'Armida immaginaria open with the same Allegro. The anonymous record names Cimarosa only as the composer of L'infedeltà fedele, into whose overture this sinfonia is bound as a Dresden alternative. |
| 400003941 | CH-EN Ms A 128Symphonies–D major | Symphonies | Cimarosa, DomenicoGiunio Bruto | 1 of 1 | Same music | The one encoded movement matches: Giunio Bruto (RISM 850008382, 1.1.1 Sinfonia. Allegro con brio). |
| 850607664 | I-OS Mss.Mus.B 4698Symphonies–D major | Symphonies | Cimarosa, DomenicoI matrimoni impensati | 1 of 1 | Same music | The one encoded movement matches: I matrimoni impensati (RISM 850008353, 1.1.1 Sinfonia. Allegro con molto brio). |
| 240007321 | D-SWl Mus.276Overtures–G minor | Overtures | Conti, Francesco BartolomeoOvertures–D major (Excerpts, Arrangement) | 2 of 3 | Same music | Two incipits match keyboard arrangements of the overture to Conti's Clotilde (1706): the Ouverture opening, and the 12/8 movement matches the Jigg (1001284369 incipit 1.1.1), which that record calls the third part of the same overture. The comparator notes that Handel also used this overture for the pasticcio Ormisda. |
| 850004869 | I-Fn MUS.Mss.Rostirolla.202Symphonies–D major | Symphonies | Crispi, Pietro MariaSymphonies–D major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–D major (RISM 131526, 1.1.1 Allegro con spirito). |
| 301002876 | PL-WRu 61457 Muz.Overtures–D minor | Overtures | Dalayrac, Nicolas-MarieCamille | 1 of 2 | Same music | The slow introduction matches the Ouverture (Largo) of Dalayrac's Camille, ou Le souterrain, rhythm included, through the descending run. |
| 450011707 | D-Rtt Sammelband 17Corsar aus Liebe (Excerpts, Arrangement) | Operas | Dalayrac, Nicolas-MarieLéon (Excerpts, Arrangement) | 1 of 1 | Same music | The flute piece is the aria 'Je m'unis à ce que j'ai...' from Dalayrac's Léon (print), transposed. |
| 850010403 | I-Rc Mss. 5748Symphonies–B♭ major | Symphonies | Davaux, Jean-BaptisteSymphonies concertantes–B♭ major | 1 of 1 | Same music | The encoded incipit, labelled Allegro, matches the Allegretto (incipit 1.2.1) of the printed symphonie concertante; the record also lists a separate Allegretto, so the label or order differs. Two solo violins fit a symphonie concertante. |
| 850026336 | I-Rc Mss. 6203Symphonies–D major | Symphonies | Davaux, Jean-BaptisteSymphonies concertantes–D major | 1 of 1 | Same music | The one encoded movement matches: Symphonies concertantes–D major (RISM 1001348889, 1.1.1 [p. 6, at left of the 1st stave:] SINFONIA II [above the 1st stave:] All|o moderato). |
| 1001220251 | GB-Cmc F.4.35Quartets–E minor (Excerpts, Arrangement) | Overtures | Desmarets, HenriCirce (Excerpts, Arrangement) | 1 of 2 | Same music | The Ouverture treble matches the Ouverture of Desmarest's Circé (1694) in a Berkeley arrangement whose dessus is headed 'Ouverture de Circé, mise en musique par M. Desmarais', rhythm included. One of the Cambridge quartet arrangements (24th Sett). |
| 240007366 | D-SWl Mus.313Adagio and Rondo–E♭ major | Concertos | Dieter, Christian LudwigConcertos–F major | 1 of 2 | Same music | The Rondo alla polacca, which a note in the anonymous record says a second copyist (Katel?) probably added later, agrees with the Rondo alla pollacka (incipit 1.3.1) in Dieter's concerto RISM 250014266. The preceding Adagio remains unidentified. |
| 121088 | US-AAu M1010.C74 17--Concertos–F major | Concertos | Dimler, Franz AntonConcertos–F major | 1 of 1 | Same music | The one encoded movement matches a Dimler concerto (RISM 840011592) note for note. |
| 1001214064 | GB-Cmc F.4.35Quartets–G major (Arrangement) | Overtures | Farinel, Jean BaptisteSuites–G major | 1 of 2 | Same music Attribution uncertain | The Ouverture treble matches the Ouverture of the 3e Suitte in D-DS Mus.ms 1221, rhythm included; the bass agrees only where it imitates the treble. That suite's attribution to Farinel is a conjecture (AlbertynH 2005). One of the Cambridge quartet arrangements (49th Sett). |
| 1001305374 | E-Mn MP/3829/12Vocal pieces | Operas | Farinelli, GiuseppeI riti d'Efeso (Excerpts) | 1 of 1 | Same music | 'Al suo dolore e vivo ard...' matches 'Al mio dolce e vivo ardo' (incipit 1.2.2) of Giuseppe Farinelli's I riti d'Efeso over 18 pitches, a variant of the same words, transposed. |
| 850607317 | I-OS Mss.Mus.B 4714Symphonies–B♭ major | Symphonies | Farinelli, GiuseppePamela | 1 of 1 | Same music | The one encoded movement matches: Pamela (RISM 840015171, 1.2.1). |
| 850779370 | I-PAc Borb.2164/I-VConcertos–F major | Concertos | Fortunati, Gian FrancescoConcertos–F major | 1 of 1 | Same music | The one encoded movement matches a Fortunati concerto in the same library note for note. |
| 400014408 | CH-E 11,7Symphonies–B♭ major | Symphonies | FranckSymphonies–B♭ major | 1 of 1 | Same music Surname only | Matches a copy headed only 'Franck'; which Franck is not established. |
| 703003396 | B-Bc 696/34Olimpia vendicata (Excerpts) | Operas | Freschi, DomenicoOlimpia vendicata (Excerpts) | 1 of 1 | Same music Composer disputed | 'Crudo tiranno Amor' matches, with the same words and transposed, an excerpt from Olimpia vendicata attributed to Freschi, which cross-references Sabadini; this names Freschi's setting. |
| 806252327 | GB-Lbl Add. 71539Symphonies–C major | Symphonies | Fritz, GaspardSonatas–C major | 3 of 3 | Same music Attribution from a modern copy | All three movements match a C-major sonata for the same four string parts, but that copy was made and edited by Eugen Huber (1909-2004). The Fritz attribution needs its period source. |
| 400213964 | CH-FF UK 15|5|-|6|,|8|-|1|1Symphonies–G major | Symphonies | Galimberti, FerdinandoSymphonies–D major | 1 of 1 | Same music Composer disputed | The anonymous Andante matches the Largo (incipit 1.2.1) of a symphony attributed to Galimberti; the anonymous Allegro is not encoded, so only that section is identified. The comparator, a copy by Edgar Refardt (1877-1968), cross-references Lampugnani, under whom the 1762 Breitkopf catalogue lists the work. |
| 850604354 | I-OS Mss.Mus.B 3552/1Symphonies–D major | Symphonies | Galuppi, BaldassareIl filosofo di campagna–D major (Excerpts) | 1 of 1 | Same music | Matches the overture to Il filosofo di campagna in twelve attributed copies; one of them (410004182) is a modern copy by Josef Liebeskind. |
| 850013313 | I-MOe MS Mus. F. 1547@1-@12Rodrigo di Livorno (Excerpts) | Operas | Gasparini, FrancescoIl Roderico | 2 of 12 | Same music | 'Deh consolati o mio bene' and 'Se tu m'ami o mio diletto' (incipit 1.10.1) match Gasparini's Il Roderico with the same words (incipit 1.1.1 of two copies). |
| 552010264 | CZ-Pr ARCH 1821Variations | Operas | Gelinek, Josef, SJVariations–G major | 3 of 7 | Same music Attribution uncertain | Theme and variations match Gelinek's variations on a Paisiello theme in two copies (the anonymous 'Var 2.' is the theme again, incipit 1.1.1 of RISM 220039395); one copy qualifies Gelinek as alleged. |
| 452502351 | D-Hs ND VII 228Hier find' ich euch und warum nicht im Schlosse | Operas | Genée, RichardRecitatives | 2 of 2 | Same music | The recitative 'Hier find' ich euch' matches, with the same words, Genée's autograph recitatives for a German version of Maillart's opera (RISM 1001284143). |
| 450014316 | D-KA Don Mus.Ms. 1017|1Concertos–C major | Concertos | Gonelli, GiuseppeSonatas–C major | 1 of 1 | Same music | The one encoded movement matches a Gonelli sonata (RISM 703004085), ornament groups included. |
| 240007379 | D-SWl Mus.291Concertos–G major | Concertos | GraunConcertos–G major | 1 of 3 | Same music Surname only | Movement III matches a concerto headed only 'Graun' in the same library (RISM 240007380); which Graun is not established. |
| 301002142 | PL-WRu 60873 Muz.Symphonies–G major | Symphonies | Graun, Carl HeinrichIfigenia in Aulide (Arrangement) | 1 of 3 | Same music | Movement I of 3 encoded match: Ifigenia in Aulide (Arrangement) (RISM 1001054467, 1.1.1 Sinfonia. Allegro). |
| 452506142 | D-B Am.B 485 (6)Concertos–G major | Concertos | Graun, Carl HeinrichConcertos–G major | 1 of 1 | Same music | The one encoded movement matches a C. H. Graun concerto (RISM 452019425) note for note. |
| 400213960 | CH-FF UK 15|5|-|6|,|8|-|1|1Symphonies–D major | Symphonies | Graun, Johann GottliebSymphonies–D major | 1 of 1 | Same music Composer disputed | The matching copies attribute the work to Graun only conjecturally, and one is headed 'Sinfonie del Sigre Giuseppe Rainino'. |
| 703002202 | B-Bc 15454/28Overtures–G minor (Arrangement) | Overtures | Grétry, André-Ernest-ModesteRichard Cœur-de-Lion | 1 of 1 | Same music | The primo part of this piano arrangement matches the Ouverture of Grétry's Richard Cœur-de-Lion, rhythm included. |
| 840021496 | F-Pn VM6-58 (1)L'Impromptu de Limours | Operas | Grétry, André-Ernest-ModesteLe huron (Excerpts) | 1 of 1 | Same music | The air matches the Allegretto of Grétry's Le Huron over 11 pitches. |
| 840021497 | F-Pn VM6-58 (1)L'Impromptu de Limours | Operas | Grétry, André-Ernest-ModesteL'Ami de la maison | 1 of 1 | Same music | The air matches the Allegro (incipit 1.7.1) of Grétry's L'Ami de la maison over 14 pitches. |
| 117437 | US-SFsc *M2.5 v. 45La schiava (Excerpts, Arrangement) | Overtures | Guglielmi, Pietro AlessandroIl ratto della sposa–G major (Excerpts) | 1 of 1 | Same music | Matches the Sinfonia of Guglielmi's Il ratto della sposa (three copies, two naming Guglielmi), rhythm included; here captioned 'Overture in La Schiava'. One Guglielmi copy notes the sinfonia also circulated, wrongly, as Sacchini's. |
| 120000486 | MEX-SCHamp Sa-Sn-04-23Symphonies–B♭ major | Symphonies | Gyrowetz, AdalbertSymphonies–F major | 1 of 1 | Same music | A one-leaf violin part: its B-flat Andante is the Andante (incipit 1.2.1) of the F-major symphony RicG F4 (op. 13/2), not a separate symphony. |
| 250004185 | D-WRha Instr.8Symphonies | Symphonies | Gyrowetz, AdalbertSymphonies–C major | 1 of 4 | Same music | Incipits 1.1.1-1.3.1 match the print RicG C3 (the first differs in one note, the Menuetto is compared flute against violin); the print encodes no finale to compare. |
| 1001067396 | PL-SA 141/A III 41Symphony–D major | Symphonies | Hasse, Johann AdolfSymphonies–D major Röllig, Johann ChristianSymphonies–D major | Hasse: 3 of 3 Röllig: 3 of 3 | Same music Hasse: Composer disputed Röllig: Composer disputed | Hasse: The Hasse copy (D-Bsa SA 2219) qualifies its attribution as alleged; the same symphony is attributed to Johann Christian Röllig in D-Bsa SA 3212 and D-Ju. Röllig: Also attributed to Hasse (D-Bsa SA 2219, qualified as alleged). The Röllig copies cross-reference Johann Georg Röllig; RISM 469143100 sets out why the Dresden 'Roellig jun.' material belongs to Johann Christian. |
| 1001215903 | D-Hs ND VI 2584Benché spiri al ciel sereno–A major | Operas | Hasse, Johann AdolfBenché spiri a ciel sereno–A major | 2 of 2 | Same music | Violin and voice match Hasse's setting of the aria 'Benché spiri a ciel sereno' (the comparator's violin incipit 1.1.1); the title names an aria text others also set. |
| 190011252 | S-Skma FbO-RConcertos–D major | Concertos | Hasse, Johann AdolfConcertos–D major | 1 of 1 | Same music | The one encoded movement matches a Hasse concerto (RISM 701001563) note for note over its sequence. |
| 240007711 | D-SWl Mus.616Solimano (Excerpts, Arrangement) | Operas | Hasse, Johann AdolfElephanten-Marsch–D major | 1 of 1 | Same music Attribution uncertain | Matches an 'Elephanten-Marsch' attributed to Hasse only conjecturally; the anonymous copy is an arrangement from Solimano, one of several settings, so the match names Hasse's setting if the attribution holds. |
| 550282790 | CZ-Pkřiž XXXVI B 81Didone abbandonata–F minor (Excerpts) | Operas | Hasse, Johann AdolfDidone abbandonata | 2 of 2 | Same music | A Latin contrafactum: 'Veni mi Jesu care' has the music (violin and voice, aria incipits 1.30.1 and 1.30.2) of 'Non ha ragione ingrato' from Hasse's setting of Didone abbandonata, under different words; the title names a libretto many composers set, and the match identifies Hasse's. |
| 600236796 | A-Wn E. M. 156eConcertos | Concertos | Heinichen, Johann DavidConcertos–D major | 2 of 3 | Same music | Movements I and III match Heinichen's concerto HauH 1.13 in two copies; the five-bar search also returns a copy under Lechleitner. |
| 250000161 | D-WRl HMA 3896Operas | Operas | Henneberg, Johann BaptistDie Waldmänner | 8 of 11 | Same music | Numbers match Henneberg's Die Waldmänner with the same words: the aria (1.3.1, 1.3.2 as 1.17.1, 1.17.2), Duetto (1.4.1 as 1.18.1), Septetto (1.5.1, 1.5.2 as 1.19.1, 1.19.2), aria (1.6.1 as 1.20.1), recitative (1.7.1 as 1.21.1) and chorus (1.8.1 as 1.22.2). One text differs ('Bleibt zurück ihr feinen Liebchen' against 'Bleibt zurück liebe Weibchen'). |
| 302002415 | PL-GD Ms Joh.425Symphonies–G major | Symphonies | Hiller, Johann AdamDer lustige Schuster (Arrangement) | 3 of 3 | Same music | Overture to the opera Der lustige Schuster |
| 900001801 | US-NH Misc. Ms. 170, Filmer 29Overtures–B♭ major | Overtures | Händel, Georg FriedrichThe Alchemist–B♭ major (Excerpts) | 1 of 1 | Same music | The 'First Treble Overture' matches the Overture of Handel's 'Tunes compos'd for the Play-house' for The Alchemist (HWV 43, drawn from Rodrigo), rhythm included. |
| 600025915 | A-SEI V 1023Symphonies–C major | Symphonies | Kospoth, Otto Carl ErdmannSymphonies–C major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–C major (RISM 450012267, 1.1.1 Allegro). |
| 600025981 | A-SEI V 1089Symphonies–C major | Symphonies | Koželuh, LeopoldSymphonies–C major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–C major (RISM 210045950, 1.1.1 Allegro molto). |
| 540001102 | SI-Nf Ms. mus. 457Concertos–A major | Concertos | Krommer, FranzConcertos–A major | 1 of 2 | Same music | The one encoded movement matches a Krommer concerto in A (RISM 551002432); the comparator writes the turn in bar 2 as grace notes, which the automatic comparison drops. |
| 455008450 | D-F Mus Hs 2173Potpourris | Operas | Küffner, JosephPotpourris | 1 of 1 | Same music | Matches Joseph Küffner's autograph potpourri (RISM 1001059901) over 31 pitches; the anonymous title carries Weber's catalogue number J 277 for the themes. |
| 450004203 | D-BAd EB 819-1Symphonies–F major | Symphonies | Küffner, Wilhelm6 Quartets | 3 of 3 | Same music | All three encoded incipits match Küffner's Quartetto IV: the Allegro in the print RISM 1001383642, the Andante and Presto as incipits 1.4.2 and 1.4.3 of the six-quartet manuscript RISM 1001074840. The historical titles differ (quartet, symphony) but the music is the same. |
| 1001187741 | PL-PŁp Muz.251Bienvia–E♭ major (Excerpts, Arrangement) | Operas | Litta, GiulioBianca di Santafiora (Excerpts, Arrangement) | 1 of 1 | Same music | Matches the Cantabile (incipit 1.2.1) of an arrangement from Litta's Bianca di Santafiora over 15 pitches. |
| 402007148 | CH-Lz Ms.N.46:3.21Operas–D major (Excerpts) | Operas | Lortzing, AlbertHans Sachs | 2 of 4 | Same music | The Introduction (incipits 1.1.1, 1.1.2) matches the Introduction of Lortzing's Hans Sachs (incipit 1.2.1 of the print LoWV 43). |
| 850729708 | I-Mc Noseda I.88.2La Semiramide–B♭ major (Excerpts, Arrangement) | Operas | Millico, GiuseppeFiumicel che s'ode appena–B♭ major | 1 of 1 | Same music | The aria 'Fiumicel che s'ode appena' (incipit 1.2.1) matches, with the same words, a copy of the aria under Millico's name (incipit 1.1.1); it is his aria in this La Semiramide, one of several settings. |
| 450060124 | D-KNmi R 1111 RSonatas–F major | Operas | Moscheles, IgnazFantasie dramatique–F major Rossini, GioachinoIl barbiere di Siviglia–F major (Excerpts, Arrangement) | Moscheles: 1 of 3 Rossini: 1 of 3 | Same music Rossini: Work identified onlyAlready named in the record | Moscheles: The Allegro (incipit 1.2.1) matches the Allegretto (incipit 1.2.1) of Moscheles's Fantaisie dramatique, grace notes included. Rossini: The Introduction is 'Una voce poco fa' from Il barbiere di Siviglia; the record cross-references Rossini for the theme of Moscheles's fantasy. |
| 850777456 | I-PAc Borb.911/I-XConcertos–D major | Concertos | Mozart, Wolfgang AmadeusConcertos–D major (Arrangement) | 1 of 1 | Same music | Movement I matches Mozart's Concerto in D, K. 175 (the comparator is an arrangement). |
| 850026335 | I-Rc Mss. 6209Symphonies–D major | Symphonies | Mysliveček, JosefLa Calliroe (Excerpts) | 1 of 1 | Same music | The one encoded movement matches: La Calliroe (Excerpts) (RISM 400004242, 1.1.1 Allegro con spirito). |
| 850609331 | I-OS Mss.Mus.B 4697Symphonies–D major | Symphonies | Mysliveček, JosefLa Calliroe (Excerpts) | 1 of 1 | Same music | The one encoded movement matches: La Calliroe (Excerpts) (RISM 400004242, 1.1.1 Allegro con spirito). |
| 201001727 | D-LEm PM 9644Overtures–C major | Overtures | Méhul, Etienne-NicolasLes Deux Aveugles de Tolède–C major (Excerpts, Arrangement) | 1 of 2 | Same music | The slow introduction matches the overture to Méhul's Les Deux Aveugles de Tolède in several piano arrangements, rhythm included. |
| 570005119 | SK-J H-629Symphonies–C major | Symphonies | Naumann, Johann GottliebLa clemenza di Tito | 2 of 4 | Same music | The Allegro, Andante and Finale derive from the overture to La clemenza di Tito (its incipits 1.1.2, 1.2.1 and 1.3.1), transposed from B-flat to C. The added Minuetto is not identified and is not attributed here. |
| 240006980 | D-SWl Mus.2818/6Das Grab des Mufti (Excerpts) | Operas | Oertzen, Karl LudwigDas Grab des Mufti | 5 of 11 | Same music | The Entre-Act, the duet 'Schlagt zu Gevatter', the Trinkchor and the Schlussgesang match Oertzen's Das Grab des Mufti (incipits 1.7.1, the Duetto 1.9.1 and 1.9.2 with the same words, the chorus 1.10.1 and the Schluss-Gesang 1.12.1). Baumgarten also set Das Grab des Mufti; the match identifies Oertzen's setting, consistent with the copy's date of about 1830. |
| 150201913 | DK-Kc (R324)Concertos–G minor | Concertos | Paisiello, GiovanniConcertos–G minor | 1 of 1 | Same music | The one encoded movement matches Paisiello's autograph concerto in G minor (RISM 852029682). |
| 850733911 | I-BEc AM.ms79Symphonies–D major | Symphonies | Paisiello, GiovanniI giuochi d'Agrigento | 1 of 1 | Same music | The one encoded movement matches: I giuochi d'Agrigento (Excerpts, Arrangement) (RISM 806435695, 1.1.1 Atto Pmo. Sinfonia. Allegro vivace). |
| 410006475 | CH-Fcu LE 54 Ms. 27Overtures–G minor (Arrangement) | Overtures | Paër, FerdinandoAgnese (Arrangement) | 1 of 2 | Same music | Piano arrangement of the overture to Paër's Agnese, matching the Simonis piano reduction, rhythm included. |
| 850608133 | I-OS Mss.Mus.B 4683Symphonies–C minor | Symphonies | Paër, FerdinandoSymphonies–C minor | 1 of 1 | Same music | The one encoded movement matches: Symphonies–C minor (RISM 850604019, 1.1.1 Larghetto staccato). |
| 854005387 | I-Ria Mss. Vess. 918Symphonies–D major | Symphonies | Paër, FerdinandoLa virtù al cimento | 1 of 1 | Same music | The one encoded movement matches: La virtù al cimento (RISM 858000019, 1.1.1 [Sinfonia]. Larghetto). |
| 850613684 | V-CVbav Chigi Q VIII 196,10Concertos–D major | Concertos | Pellegrini, FerdinandoConcertos–D major | 1 of 1 | Same music | The one encoded movement matches a Pellegrini concerto (RISM 500052924) note for note over 22 pitches. |
| 800238259 | GB-Lbl R.M.23.e.3.(10.)Didone (Excerpts) | Operas | Perez, DavideLa Didone abbandonata (Excerpts) | 2 of 2 | Same music | 'Quando saprai chi sono' matches, with the same words, Perez's setting of La Didone abbandonata. The anonymous record notes the composer's name was cut away from the binding; the matching copy names Perez. |
| 850777458 | I-PAc Borb.914/I-XVIConcertos–C major | Concertos | Pfeiffer, Johann MichaelConcertos–C major | 1 of 1 | Same music | The one encoded movement matches a Pfeiffer concerto in the same library, grace note included. |
| 190017764 | S-Skma Alströmer saml. 173:12Symphonies–D major | Symphonies | Piazza, GaetanoOvertures–D major | 1 of 1 | Same music | The one encoded movement matches: Overtures–D major (RISM 450010294, 1.1.1 Vivace). |
| 1001220449 | SK-PREphs H 47Symphonies–D major | Symphonies | Pichl, VáclavSymphonies–D major | 2 of 4 | Same music | Anonymous copy encodes opening chords bottom-up, which lowers the automatic note count |
| 300257516 | PL-Kd 288Symphonies–C major | Symphonies | Pichl, VáclavSymphonies | 1 of 1 | Same music | The one encoded movement matches: Symphonies (RISM 1001302071, 1.1.1 Allo Con Brio). |
| 300257653 | PL-BA Rm 10Symphonies | Symphonies | Pichl, VáclavSymphonies–F major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–F major (RISM 550248218, 1.1.1 Allegro). |
| 400003938 | CH-EN Ms A 125Symphonies–D major | Symphonies | Pokorný, Franz XaverSymphonies–D major | 1 of 1 | Same music | Matches a Pokorný autograph (AngP D62) in the Eisenmann collection, which cross-references Angelus Anton Eisenmann. |
| 704003663 | B-Bc 27732C'est assez verser de larmes | Operas | Rameau, Jean-PhilippeDardanus (Excerpts, Arrangement) | 1 of 1 | Same music | 'C'est assez verser de larmes' matches the violin incipit 1.3.1 of an arrangement from Rameau's Dardanus. |
| 840002835 | F-AG 673La Provençale (Excerpts) | Overtures | Rameau, Jean-PhilippeLa naissance d'Osiris | 1 of 3 | Same music | The Ouverture matches the overture of Rameau's La naissance d'Osiris (1754): incipit 1.2.1 of the score F-Pn VM2-311 and the first incipit of the parts F-Pn VM2-323, rhythm included. A Rameau harpsichord arrangement (840026887) says the piece was that overture. The anonymous record names Rameau only for the Vivement (La Pantomime), not for the overture. |
| 450013956 | D-KA Don Mus.Ms. 1790Symphonies–D major | Symphonies | Ricci, Francesco Pasquale, OFMConvOvertures–D major | 1 of 1 | Same music | The one encoded movement matches: Overtures–D major (RISM 400012916, 1.1.1 Allegro). |
| 530012636 | H-Gk AMC, Sinf. 17.Symphonies–C major | Symphonies | Richter, Franz XaverSymphonies–C major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–C major (RISM 603000365, 1.1.1 Allegro). |
| 400014396 | CH-E 199,24|1Symphonies–E♭ major | Symphonies | Risi, PaoloSymphonies–E♭ major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–E♭ major (RISM 850002239, 1.1.1 Allegro). |
| 400014318 | CH-E 199,18Overtures–G major | Overtures | Riso, PaoloOvertures–G major | 1 of 1 | Same music | Matches the Allegro of an overture headed 'Del Sig.re Pauolo Riso' (GB-Lam), rhythm included. |
| 850607491 | I-OS Mss.Mus.B 4704Symphonies–D major | Symphonies | Rolla, AlessandroBallets | 1 of 1 | Same music | The one encoded movement matches: Ballets (RISM 851002700, 1.1.1 N. 1:. Largo maestoso). |
| 1001043744 | CZ-K 419Symphonia–B major | Symphonies | Rosetti, AntonioSymphonies–B♭ major | 4 of 4 | Same music | All four encoded incipits (1.1.1-1.1.4) match MurR A44, where RISM numbers them 1.1.1, 1.2.1, 1.3.1 and 1.4.1. RISM titles the anonymous copy 'B major' but the encoding has two flats: it is in B-flat, like the Rosetti copy. The first incipit's metre is encoded as c against 3/4. The comparator cross-references Zobl. |
| 553004821 | CZ-Bm A56738Concertos–F major | Concertos | Rosetti, AntonioConcertos–E♭ major | 3 of 3 | Same music | All three movements match Rosetti's clarinet concerto MurR C62 in E-flat; the anonymous incipits are a whole tone higher, as written for B-flat clarinet. The finale is an instrumental Rondo. |
| 850007948 | I-Tf 2 IV 6Quando senz'altro | Operas | Rutini, Giovanni MarcoI matrimoni in maschera | 1 of 1 | Same music | 'Quando senz'altro' matches the aria (violin incipit 1.34.1) of Rutini's I matrimoni in maschera. |
| 530012629 | H-Gk AMC, Sinf. 10.Symphonies–D major | Symphonies | Sacchini, AntonioLucio Vero | 1 of 1 | Same music | The one encoded movement matches: Lucio Vero (RISM 104771, 1.1.1 Overtura.). |
| 230007311 | D-LEm PM 171Operas (Excerpts, Arrangement) | Operas | Salieri, AntonioAxur re d'Ormus (Excerpts, Arrangement) | 1 of 1 | Same music | The flute incipit is an arrangement of the aria 'Nato io son nello stato' (incipit 1.1.2) from Salieri's Axur re d'Ormus, transposed. |
| 840002845 | F-AG 292(1-5)Quartets–D major | Symphonies | Sammartini, Giovanni BattistaSymphonies–D major | 1 of 1 | Same music | RISM heads the anonymous record Quartets, but its own description points to a symphonic piece; four string parts do not by themselves show an arrangement. |
| 800247349 | GB-Lbl R.M.21.c.10-15.Concertos–D major | Concertos | Sammartini, GiuseppeConcertos–D major | 1 of 1 | Same music | The one encoded movement matches a Giuseppe Sammartini concerto in the same R.M. collection note for note. |
| 800247350 | GB-Lbl R.M.21.c.10-15.Concertos–B♭ major | Concertos | Sammartini, GiuseppeConcertos–B♭ major | 1 of 1 | Same music | The one encoded movement matches a Giuseppe Sammartini concerto in the same R.M. collection note for note. |
| 800247352 | GB-Lbl R.M.21.c.10-15.Concertos–A major | Concertos | Sammartini, GiuseppeConcertos–A major | 1 of 1 | Same music | The one encoded movement matches a Giuseppe Sammartini concerto in the same R.M. collection note for note. |
| 800247358 | GB-Lbl R.M.21.c.10-15.Concertos–A major | Concertos | Sammartini, GiuseppeConcertos–A major | 1 of 1 | Same music | The one encoded movement matches a Giuseppe Sammartini concerto in the same R.M. collection note for note. |
| 800238802 | GB-Lbl R.M.23.e.2.(3.)Didone (Excerpts) | Operas | Sarri, Domenico NataleDidone abbandonata | 2 of 2 | Same music | 'Cadrà fra poco in cenere' matches, with the same words, the aria (incipits 1.89.1 and 1.89.2) of Sarri's Didone abbandonata; the title names a libretto many composers set, and the match identifies Sarri's setting. |
| 240007037 | D-SWl Mus.126Operas (Excerpts) | Operas | Sarti, GiuseppeCiro riconosciuto (Excerpts) | 2 of 2 | Same music | 'Dammi o sposa un solo amplesso' matches, with the same words, incipits 1.23.1 and 1.23.2 of the print of Sarti's Ciro riconosciuto. |
| 850030784 | I-Rli Musica M 15/2Teodora clemente (Excerpts, Arrangement) | Operas | Scarlatti, AlessandroLa Teodora Augusta (Excerpts) | 1 of 1 | Same music | 'Per seguirti idolo mio' matches, with the same words, an excerpt from Alessandro Scarlatti's La Teodora Augusta. |
| 451026287 | D-DT Mus - n 6476Instrumental pieces | Operas | Schindelmeisser, Louis Alexander BalthasarBacchanale | 1 of 1 | Same music | The Bacchanale matches Schindelmeisser's Bacchanale (RISM 270001062) note for note, which its title calls an insertion ('Einlage') for Act V of Gounod's Faust; the Gounod cross-references name the opera it was written for. |
| 450013954 | D-KA Don Mus.Ms. 1787Symphonies–D major | Symphonies | SchmidtSymphonies–D major | 1 of 1 | Same music Surname only | Identical once the measure repeat is expanded (the earlier parser dropped it); the copy is headed only 'Schmidt', so which Schmidt is not established. |
| 1001198167 | PL-Kc 100607 IIIConcertos–E♭ major | Concertos | Schröter, Johann SamuelConcertos–E♭ major | 1 of 1 | Same music | The one encoded movement matches a Schröter concerto in E-flat (RISM 400004943). |
| 850023629 | I-Tf 12 II 2-39?Sonatas?–B♭ major | Concertos | Schröter, Johann SamuelConcertos–B♭ major | 1 of 1 | Same music | The one encoded movement matches a Schröter concerto (RISM 124898) note for note. |
| 450303558 | D-Eu Esl VIII 384Symphonies–D major | Symphonies | Schuster, JosephL'idolo cinese | 1 of 1 | Same music | The one encoded movement matches: L'idolo cinese (RISM 211008487, 1.1.1 Sinfonia. Allegro con spirito). |
| 469467700 | D-Bsa SA 4677Symphonies–G major | Symphonies | Schürer, Johann GeorgLa Galatea (Excerpts) | 1 of 1 | Same music | Matches the 'Seconda Parte Sinfonia' (incipit 1.16.1) of the La Galatea excerpts, the sinfonia to Part Two, not the opening sinfonia. |
| 540001081 | SI-Nf Ms. mus. 486Concertos–C major (Fragments) | Concertos | Senfft, GiuseppeConcertos–C major | 2 of 3 | Same music | The two encoded incipits match the Senfft concerto RISM 540001035: the anonymous opening Allegro is the keyboard part (incipit 1.1.2) of that copy's first movement. |
| 469303700 | D-Bsa SA 3037Concertos–D major | Concertos | Seyffarth, Johann GabrielConcertos–D major | 2 of 3 | Same music | The Allegro and Adagio incipits match Seyffarth's concerto in D-Bsa SA 2957. A manuscript check on 27 September 2026 found agreement through longer passages in both movements and later in the finale, in the first concertante violin part; SA 2957's title wrapper names Seyffarth. The five-bar search also finds the stock opening figure under other composers. |
| 280002277 | D-RUl SH 604Symphonies–E♭ major | Symphonies | Spohr, LouisSymphonies–E♭ major | 1 of 2 | Same music | Movement I of 2 encoded match: Symphonies–E♭ major (RISM 1001244813, 1.1.1 Adagio). |
| 852034586 | I-MC 6-E-5/27bOvertures–C major (Arrangement) | Overtures | Sterkel, Johann Franz XaverIl Farnace (Excerpts, Arrangement) | 1 of 1 | Same music | Organ arrangement of the overture to Sterkel's Il Farnace (Naples 1782), matching the Frankfurt piano print over four bars, rhythm included. |
| 530000729 | H-KE 1188Symphonies–C major | Symphonies | Süßmayr, Franz XaverSymphonies–C major | 1 of 1 | Same music | Only the first movement is encoded; movement plan and scoring also agree |
| 800273642 | GB-Ob Ms. Mus. e.36?Sonatas? | Concertos | Telemann, Georg PhilippDie Satyren in Arcadien | 1 of 1 | Same music | The one encoded incipit matches the opening incipit of Telemann's Die Satyren in Arcadien (RISM 452513485) note for note. |
| 400007392 | CH-SAf MusSAf.Ms.445Symphonies–A major | Symphonies | Toeschi, Carl JosephSymphonies–A major | 1 of 3 | Same music | Movement I of 3 encoded match: Symphonies–A major (RISM 140044, 1.1.1 Allegro). |
| 800261901 | GB-Lbl R.M.21.d.16.Symphonies–D major | Symphonies | Toeschi, Carl JosephSymphonies–D major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–D major (RISM 150203709, 1.1.1). |
| 400187877 | CH-EN Ms A 120Concertos–D major | Concertos | Valentini, GiuseppeConcertos–A major | 1 of 1 | Same music | The one encoded movement matches a Valentini concerto (catalogued as A major, but its incipit is in D like this copy). |
| 1001247888 | CZ-K 418Symphonies–D major | Symphonies | Vanhal, Johann BaptistSymphonies–D major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–D major (RISM 280002186, 1.1.1 Allegro con brio). |
| 1001356080 | D-GOl Mus. 2° 32n/1Variations–B♭ major | Operas | Vanhal, Johann BaptistVariations–B♭ major | 3 of 3 | Same music | The theme and variations 1-2 (incipits 1.1.1-1.3.1) match Vanhal's variations in two copies; the anonymous 'Var. 2.' is 'Var.3.' (incipit 1.4.1) of the print. |
| 840002357 | F-AG 210(12)-220(12)Operas (Excerpts) | Operas | Venturini, C. M.Ballets | 1 of 1 | Same music | The march matches a march in Venturini's ballets (RISM 451511750) over 11 pitches. |
| 800252419 | GB-Lbl R.M.22.c.28.Concertos–G major | Concertos | Vivaldi, AntonioConcertos–G major | 1 of 1 | Same music | The one encoded movement matches a Vivaldi concerto (RISM 850030009) note for note, measure repeat included. |
| 450026357 | D-Hs M B/2463?Overtures?–E♭ major | Concertos | VogelConcertos–E♭ major | 1 of 1 | Same music Surname only | The one encoded incipit matches the violin Allegro (incipit 1.2.1) of a concerto headed only 'Vogel' (RISM 190021287), where the attribution is qualified as conjectural. |
| 530012639 | H-Gk AMC, Sinf. 20/1.Symphonies–D major | Symphonies | Wagenseil, Georg ChristophSymphonies–D major | 1 of 1 | Same music | The one encoded movement matches: Symphonies–D major (RISM 706000763, 1.1.1 Allegro assai). |
| 1001150759 | CZ-K 1346/aClarinet concertos–E♭ major | Concertos | Weber, Carl Maria vonConcertinos–C minor | 2 of 3 | Same music | Movements I and II match Weber's Clarinet Concertino, J. 109; the second movement's comparator is a whole tone lower, a concert-pitch against B-flat-clarinet difference. |
| 400196182 | CH-Gpu Ms.mus.436Concertos–B♭ major | Concertos | Winter, Peter vonConcertos–B♭ major | 1 of 1 | Same music | The one encoded movement matches a Winter concerto in B-flat (RISM 240005358) note for note. |
| 1001083393 | PrintConcertos–E♭ major | Concertos | Woelfl, JosephConcerto da camera | 1 of 3 | Same music | The first incipit matches Woelfl's Concerto da camera (HaiW WoO 97) note for note; the other two find no encoded match. |
| 220017252 | D-HER Mus.N 1:13?Symphonies?–D major | Symphonies | Wolf, Ernst WilhelmSymphonies–D major | 3 of 3 | Same music | All 3 encoded movements match: Symphonies–D major (RISM 280000015, 1.1.1 Allegro di molto). |
| 220017253 | D-HER Mus.N 1:14?Symphonies?–G major | Symphonies | Wolf, Ernst WilhelmSymphonies–G major | 3 of 3 | Same music | Overture to Le monde de la lune |
| 150204785 | DK-Kk (mu 6503.0933)Les Trois bossus | Operas | Abos, GirolamoAlessandro nell'Indie (Excerpts) | 1 of 1 | Probable | The French air 'Quel eclatans' has the melody of the violin opening of an Abos aria from Alessandro nell'Indie: a parody on his music. |
| 456008015 | D-UWB UWB K2 AI 16Symphonies–C major | Symphonies | Andreska, VincencSymphonies–C major (Excerpts) | 1 of 1 | Probable Attribution uncertain | The opening four bars agree with an excerpt copy of a symphony attributed to Andreska (qualified as alleged), repeats included; the figure is common, and the copies diverge in how often the bar repeats. |
| 500028090 | HR-Zha XXXV.RSymphonies–C major | Symphonies | Asplmayr, FranzSymphonies | 1 of 1 | Probable | Transposed copy (C major) of D major symphony |
| 450301302 | D-Eu Esl VIII 82Overtures–D major | Overtures | BachZauberrose | 1 of 1 | Probable Surname only | The Ouverture opening has the same pitches and bar positions (D F A D, C-sharp E A, C-natural F) as no. 8, Andante con moto (incipit 1.8.1), of the pantomime Zauberrose headed only 'Bach'; the comparator writes the notes as staccato quavers with rests. |
| 469473100 | D-Bsa SA 4731Concertos–D major | Concertos | Bach, Carl Philipp EmanuelConcertos–E♭ major | 1 of 1 | Probable Attribution uncertainAlready named in the record | The anonymous record says the title names C. P. E. Bach but his authorship is not established (Enßlin). Its opening matches the E-flat concerto Wq 35 (HelB 446, RISM 703000219) a semitone lower, which supports Bach but as a transposed version the relationship still needs checking. |
| 450026094 | D-HR III 4 1/2 4|o 367Concertos–D major | Concertos | Beecke, Ignaz vonSonatas–G major | 1 of 1 | Probable Already named in the record | The anonymous record already carries BEEV 103; its opening matches a Beecke sonata in G a fourth lower and in doubled note values. |
| 850608132 | I-OS Mss.Mus.B 4682Symphonies–C major | Symphonies | Benatti, VincenzoAllegro–C major | 1 of 1 | Probable | Identical to a Benatti symphony in the same library (RISM 850610123) over its short encoded opening, ornament included, except the last note. |
| 600026020 | A-SEI V 1235Concertos–D major | Concertos | Boroni, AntonioLa notte critica | 1 of 1 | Probable | The Andante has the melody of the 'Aria. Lento' (incipit 1.50.1) of La notte critica, ornaments included, a whole tone lower: an arrangement or shared material. |
| 600258870 | A-Wn Mus. Hs. 14917Operas (Excerpts, Arrangement) | Operas | Champein, StanislasLanval et Viviane (Excerpts, Arrangement) | 1 of 1 | Probable | The melody of the Romance 'Souvent une erreur...' from Champein's Lanval et Viviane, transposed and rebarred from 3/8 to 6/8. |
| 280002296 | D-RUl SH 623Die beiden Billets | Operas | Cimarosa, DomenicoSymphonies–D major | 1 of 3 | Probable Attribution uncertainAlready named in the record | The overture's tremolo opening matches a symphony attributed to Cimarosa only conjecturally; the anonymous record already names Cimarosa. |
| 451509900 | D-MÜs SANT Hs 4112 (Nr. 17)Overtures | Overtures | Corelli, ArcangeloSonatas–C major | 1 of 1 | Probable | Lute arrangement, a fifth lower (transposed), of the Preludio (Largo) of a Corelli Sonata I in C major, rhythm included. |
| 456006022 | D-MHF MHF K5 Mappe 27 (b) (Nr. 10)Symphonies–D major | Symphonies | Dalayrac, Nicolas-MariePhilippe et Georgette (Excerpts, Arrangement) | 1 of 1 | Probable | The oboe incipit has the melody of the song 'O ma Georgette toi seule' (incipit 1.1.2) from Philippe et Georgette, grace group included, a fourth higher and in halved note values: an arrangement. |
| 1001043738 | CZ-K 417Symphonies–D major | Symphonies | Dittersdorf, Carl Ditters vonSymphonies–E♭ major | 2 of 2 | Probable | Transposed copy in D of KreD 24 in E-flat: the anonymous Allegro matches incipit 1.1.1 and its Presto matches incipit 1.4.1 of RISM 211007144. One comparator cross-references Dušek (alleged). |
| 1001247889 | CZ-K 418Symphonies–D major | Symphonies | Dittersdorf, Carl Ditters vonSymphonies–C major | 1 of 1 | Probable | Same melody a whole tone higher than a Dittersdorf symphony in C (RISM 1001034975), with its grace note written out: a transposed copy. |
| 1001223098 | GB-Cmc F.4.35Quartets–C major (Arrangement) | Overtures | Farinel, Jean BaptisteConcert pour le nouvel an 1703 | 2 of 2 | Probable Attribution uncertain | The Ouverture treble matches the flute Ouverture of '4me Concert de Farinelli pour le Nouvel an 1703' a fourth lower (transposed), rhythm included; the bass (1.1.2) agrees with flute incipit 1.1.1 only where it imitates it. The comparator record suggests that suite may be assembled from independent pieces, so the overture's authorship is open. One of the Cambridge quartet arrangements (9th Sett). |
| 451509888 | D-MÜs SANT Hs 4112 (Nr. 5)Concertos | Concertos | Feo, FrancescoIn un mar tempestoso | 1 of 2 | Probable | The anonymous incipit has the melody of the alto's entry 'Al vento' (incipit 1.2.2) in the aria of 'In un mar tempestoso', rebarred from 2/4 to 3/8. |
| 551004768 | CZ-Pnm XLII A 132Concertos–D major | Concertos | Fränzl, FerdinandPolonaises–B♭ major | 1 of 12 | Probable | The anonymous 'N 2.' (incipit 1.3.1) opens like a polonaise attributed to Fränzl (incipit 1.1.1 of RISM 456008961) for 13 pitches. |
| 820000212 | CDN-Lu GM/AR 741Demofoonte (Excerpts) | Operas | Galuppi, BaldassareEnrico (Excerpts) | 1 of 1 | Probable | The Andantino matches the violin incipit of an aria from Galuppi's Enrico: a borrowing between Galuppi's operas, if the Demofoonte copy is his setting. |
| 840017240 | F-Pn D-4275La clemenza di Tito | Operas | Galuppi, BaldassareLa clemenza di Tito | 1 of 2 | Probable Composer disputedAlready named in the record | Matches the opening scene (Atto Primo, Scena I, incipit 1.1.1) of another La clemenza di Tito copy under Galuppi's name (RISM 900011017) over seven pitches; the anonymous record calls the Galuppi attribution on the binding false and cross-references Platania. |
| 450011856 | D-Rtt Inc. IIb/3Concertos–E major | Concertos | Gasparini, QuirinoSonatas–A major | 1 of 1 | Probable Attribution uncertain | Same melody a fourth apart as an Andantino attributed conjecturally to Quirino Gasparini (RISM 1001138783), in halved note values with the appoggiaturas written out; another copy cross-references Francesco Gasparini. |
| 1001386047 | UA-Knbuv Rozum 120757Wind music–F major | Concertos | Giornovichi, GiovanniConcertos–A major | 3 of 3 | Probable Already named in the record | All three movements match Giornovichi's violin concerto ŠčeJ 149 in A, a major third lower: an arrangement as wind music. The anonymous record already names Giornovichi. |
| 469103503 | D-Bsa SA 1035 (3)E ben oh dei m'arrendo | Operas | Graun, Carl HeinrichRodelinda regina de' Langobardi–B♭ major (Excerpts) | 1 of 1 | Probable Attribution uncertainAlready named in the record | The recitative 'E ben oh dei m'arrendo' matches the same words in a Rodelinda copy over six pitches; the anonymous record, a possible autograph, already names Graun and cross-references Zelter. |
| 854005521 | I-Ria Mss. Vess. 975Symphonies–A major | Symphonies | Grazioli, FilippoIl barone di Montesecco (Excerpts) | 1 of 1 | Probable | Same melody and rhythm a whole step higher than an excerpt from Il barone di Montesecco: a transposed copy or arrangement. RISM titles the anonymous copy A major, but its encoded opening (an Andante, likely a slow introduction) has two sharps. |
| 400014405 | CH-E 21,33Symphonies–B♭ major | Symphonies | Guglielmi, Pietro AlessandroPriva di te mio bene–B♭ major | 1 of 1 | Probable | Instrumental version of aria "Priva di te mio bene" |
| 452524103 | D-B Mus.ms.anon. 147,2Die Automaten (Excerpts) | Operas | Guglielmi, Pietro AlessandroLa bella pescatrice | 2 of 2 | Probable | A German version: the quartet matches the quartet of Guglielmi's La bella pescatrice (violin incipit 1.15.1), and the soprano's 'Kann mit dir ich Teurer' has the music, with different words, of 'Or che sono a te vicino' (incipit 1.1.2). |
| 452524146 | D-B Mus.ms.anon. 194Operas (Excerpts) | Operas | Gyrowetz, AdalbertFederica ed Adolfo | 2 of 3 | Probable | Short matches with numbers of Gyrowetz's Federica ed Adolfo (incipits 1.27.2 and 1.28.1, no. 5 Duetto). |
| 854005778 | I-Ria Mss. Vess. 1054Concertos–B♭ major | Concertos | Gyrowetz, Adalbert3 Duets | 1 of 1 | Probable | The melody of Duo III (incipit 1.3.1, the opening of the third duet) of Gyrowetz's 3 Duets (print), a whole tone higher; RISM catalogues the anonymous copy as a concerto. |
| 190001606 | S-L Saml.Engelhart 571Semiramis (Excerpts) | Operas | Hasse, Johann AdolfCajo Fabricio | 1 of 1 | Probable | The aria 'Rigida sei' has the music of an aria (violin incipit 1.27.1) in Hasse's Cajo Fabricio, transposed: Hasse reusing it, if this Semiramis is his setting. |
| 600500479 | A-Wn Mus. Hs. 37067Fürwahr diese Glut (Excerpts) | Operas | Hérold, FerdinandLes Troqueurs–G major (Excerpts, Arrangement) | 2 of 2 | Probable | A German version: the duet 'Fürwahr diese Glut' (incipits 1.1.1, 1.1.2) has the music, with different words, of no. 7, the duet 'Jarni son minois est charmant' (incipits 1.1.3, 1.1.1), in an arrangement from Les Troqueurs; the German part is also numbered 7. RISM's heading on that copy is François-Joseph Hérold, but its title reads 'Paroles de M. Dartois. Musique de F. Herold', sung by Mme Lemonnier and M. Paul: Ferdinand Hérold's opera of 1819, not Dauvergne's earlier one. The matches are short. |
| 850026338 | I-Rc Mss. 6245/12Symphonies–D major | Symphonies | Hoffmeister, Franz AntonSonatas–D major | 1 of 1 | Probable | Identical over the comparator's four encoded bars once its repeated group is expanded; the comparator is a keyboard sonata, so the relationship (arrangement or shared material) is open. |
| 300511594 | PL-Wu RM 5631Concertos–D major | Concertos | Händel, Georg FriedrichAdmeto re di Tessaglia (Excerpts) | 1 of 4 | Probable | The anonymous Allegro (incipit 1.4.1) has the melody of the orchestral opening (incipit 1.1.1) of the aria 'Se l'arco avessi e i strali' from Admeto (HWV 22/12), a minor third lower in F; the concerto finale and the aria share material, relationship open. One Admeto copy cross-references Porpora. |
| 900010737 | US-Wc M1500 .S475 CaseSemiramide | Operas | Jommelli, NiccolòBajazette (Excerpts) | 1 of 5 | Probable | The Sinfonia matches the overture to Jommelli's Bajazette over ten pitches: Jommelli reusing an overture, if this Semiramide is his setting. |
| 600026060 | A-SEI V 1265Concertos–C major | Concertos | Koželuh, LeopoldSymphonies–C major | 1 of 1 | Probable | The opening matches Koželuh's Symphony in C (PosK I:9), but only seven pitches are encoded and RISM catalogues the anonymous copy as a concerto. |
| 451026165 | D-DT Mus - n 5838Das Erwachen des Löwen–E♭ major | Overtures | Kątski, AntoniLe Réveil du lion–D♭ major | 1 of 1 | Probable Attribution uncertainTitle already names the work | Band arrangement in E-flat of Antoine de Kontski's Le Réveil du lion, op. 115 (the piano prints are in D-flat; transposed); the German title, Das Erwachen des Löwen, already names it. One print's attribution is marked conjectural; the other copies name Kontski. |
| 806426578 | GB-Lbl Add. 17785Symphonies–C major | Symphonies | Lully, Jean-BaptisteIsis (Excerpts) | 1 of 1 | Probable | Matches a Menuet from Isis (LWV 54/45) note for note; an eighteenth-century copy of a Lully piece is plausible despite the 'symphony' heading. |
| 570001956 | SK-J H-899L'arbore di Diana (Excerpts, Arrangement) | Operas | Martín y Soler, VicenteL'arbore di Diana | 1 of 1 | Probable Title already names the work | No. 15 matches the Introduzione (incipit 1.33.1) of L'arbore di Diana over seven pitches. |
| 190008951 | S-SK 231:20.Overtures–G minor | Overtures | Mattheson, JohannSuites–F minor | 1 of 1 | Probable | The Ouverture is the Ouverture of Mattheson's Suite douzième (D-B Mus.ms. 13905) a whole tone higher (transposed): G minor here, F minor there, rhythm included. RISM titles the copy G minor; the key signature has one flat, an older notation of G minor. |
| 806155833 | GB-Lbl Add. 14236Eumene | Operas | Monza, Carlo IgnazioIl Più fedel tra i vassalli–G major (Excerpts) | 2 of 4 | Probable Attribution uncertain | The violin and voice (incipits 1.3.1, 1.3.2) have the music of the aria (incipits 1.1.1, 1.1.2) in Il più fedel tra i vassalli, with different words ('Ai trionfali miei vaghi' against 'In questo seno'); that copy gives Monza conjecturally, and the anonymous record cross-references Gasparini and Leo. |
| 240461 | US-WS SCM [39.3] Salem msPieces–B♭ major (Excerpts) | Symphonies | Mozart, Wolfgang AmadeusLitanies–B♭ major (Excerpts, Arrangement) | 1 of 4 | Probable | Only the first section matches: its cello opening is the bass line (incipit 1.1.2) of the Kyrie of the Litany K. 125, found also in the partial-autograph parts. The other three sections are not identified. |
| 452505020 | D-Hs ND VII 406 (Einlage 3)Die Braut von Stein dies weiß ich mir zu deuten | Operas | Mozart, Wolfgang AmadeusMia speranza adorata - Ah non sai qual pena sia | 1 of 2 | Probable Attribution uncertain | The German scena opens with the violin introduction of Mozart's recitative and aria 'Mia speranza adorata - Ah non sai qual pena' (K. 416) note for note: a German version. The anonymous record cross-references Tuček, whose part (adapter or composer) is not established. |
| 840003125 | F-AG 698Symphonies–D major | Symphonies | Perez, DavidePosson ben le stagion | 1 of 1 | Probable | Identical over 17 pitches with the opening of 'Posson ben le stagion'; whether the anonymous symphony is the opera's sinfonia or an arrangement of the aria is open. |
| 706001252 | B-Bc 12508Adriano in Siria (Excerpts) | Operas | Pescetti, Giovanni BattistaEzio (Excerpts) | 1 of 8 | Probable | The Sinfonia matches an Allegro in the Ezio excerpts attributed to Pescetti: a reused overture, if this Adriano in Siria is his setting. |
| 456011398 | D-Mbs Mus.ms. 182L'eroe cinese (Excerpts) | Operas | Piazza, GaetanoL'eroe cinese–F major | 1 of 2 | Probable | The Cantabile opening agrees with Gaetano Piazza's setting of L'eroe cinese, but over six pitches of repeated notes only. |
| 408005075 | CH-SAf MusSAf.Ms.1361Symphonies–E♭ major | Symphonies | Pichl, VáclavSymphonies–E♭ major | 1 of 3 | Probable | Clarinet and horn parts in E-flat. Movements II and III match Pichl op. 1/6 (ZakP 24), which Zakin and Breitkopf give in E-flat; the finale matches after four bars' rest. The comparators also record a historical Rosetti attribution (MurR A58S). Wind parts need checking against the corresponding parts. |
| 400213728 | CH-AR Mus Ms A 102Symphonies–G major | Symphonies | Pleyel, IgnaceQuartets–G major | 1 of 1 | Probable | Opens like the Pleyel quartet BenP 305. RISM titles the anonymous copy G major but its incipit is encoded without the F-sharp, so the copies appear to part where it has F natural. Whether it is an arrangement of the quartet or a symphony sharing its opening is open. |
| 840016287 | F-Pn VM6-58 (2-3)Concert exécuté chez M.me la Comtesse de Brionne pour sa convalescence | Operas | Rameau, Jean-PhilippeHippolyte et Aricie–D major (Excerpts, Arrangement) | 3 of 21 | Probable Already named in the record | Pieces match a Contradanza from an arrangement of Hippolyte et Aricie (incipit 1.1.1 of RISM 126696, transposed, one entering partway) and an arrangement from Castor et Pollux (incipit 1.1.1 of RISM 840026871); the record already names Rameau. |
| 452524102 | D-B Mus.ms.anon. 147,3Die Automaten (Excerpts) | Operas | Rossini, GioachinoArmida (Excerpts, Arrangement) | 1 of 3 | Probable | The solo violin incipit (1.1.2) matches Duetto no. 10 (incipit 1.11.1) of a piano arrangement from Rossini's Armida. |
| 451513550 | D-Hs ND VI 2034 l (Nr. 14)Der Turmwächter–C major | Operas | Salieri, AntonioAxur König von Ormus (Excerpts, Arrangement) | 1 of 1 | Probable Already named in the record | The song has the music of the Romance 'Einstens im Römerlande' from Salieri's Axur (German), under different words ('Hört ihr Herrn und laßt euch sagen'); the anonymous record already names Salieri. |
| 400014560 | CH-SO SJ 2Symphonies–G major | Symphonies | Sarti, GiuseppeIfigenia (Excerpts) | 1 of 1 | Probable | Matches the orchestral opening of the recitative 'Io tradir l'idol mio' in Ifigenia, linked to the rondò 'Un amante sventurato', not the overture. The anonymous source's other sections are not encoded. RISM titles the anonymous copy G major, but its incipit is encoded without a key signature, as is the Sarti copy's. |
| 450029538 | D-HRD Fü 3741aSuites–D major | Operas | Scarlatti, AlessandroIl prigioniero fortunato | 1 of 8 | Probable Already named in the record | The 'Aria [Love would invade me]' has the music of the aria 'Ondeggiante agitato' (incipit 1.1.1) from Scarlatti's Il prigioniero fortunato under English words; the anonymous record already names Scarlatti. |
| 400003944 | CH-EN Ms A 131Symphonies–G major | Symphonies | Schmittbauer, Joseph AloysSymphonies–G major | 1 of 1 | Probable | Identical in rhythm and grace notes once the repeated group is expanded, but the opening is repeated Ds with a neighbour-note figure, too little melody to count as the same music on its own. |
| 453010366 | D-KA Don Mus.Ms. 2886Potpourris–E♭ major | Operas | Spontini, GaspareLa vestale | 1 of 1 | Probable Work identified onlyAlready named in the record | The opening matches the first scene of the print of La vestale (incipit 1.2.1) over six pitches; the record already names Spontini, and the potpourri's arranger is not identified. |
| 850727507 | I-VEas ms.n.8/bConcertos–A major | Concertos | Stratico, MicheleConcertos–A major | 0 of 1 | Probable | Identical opening to a Stratico concerto in A (RISM 138045), trills aside, but only five distinct pitches are encoded. |
| 212001714 | D-Dl Mus.2-N-20,19Symphonies–D major | Symphonies | Tartini, GiuseppeSymphonies–D major | 1 of 3 | Probable Attribution uncertainAlready named in the record | The anonymous record already names Tartini; one movement of three matches, and the comparator's Tartini attribution is conjectural. |
| 1001377007 | D-GZsa Mus. 29fConcertos–A major | Concertos | Tessarini, CarloConcertos–A major | 1 of 1 | Probable | The same repeated-note figure as a Tessarini concerto, but the anonymous copy begins with what is the comparator's second bar; too little melody to call it the same music outright. |
| 190004880 | S-Uu Instr. mus. i hs. 63:7Concertos–G major | Concertos | Tessarini, CarloArias–G major (Arrangement) | 1 of 3 | Probable Already named in the record | The Largo (incipit 1.2.1) matches incipit 1.1.1 of an aria arrangement attributed to Tessarini (RISM 136107); the anonymous record already names Tessarini. |
| 400187870 | CH-EN Ms A 120Concertos–G major | Concertos | Valentini, GiuseppeConcertos–G major | 0 of 1 | Probable | Identical rhythm and descending repeated-note sequence to a Valentini concerto in G (RISM 806549972), but only five distinct pitches; a companion copy in the same collection (400187877) matches another Valentini concerto. |
| 1001042458 | MEX-Mahn E26-T1-V5Overtures | Overtures | Vinci, LeonardoArtaserse | 1 of 1 | Probable | The second-violin incipit of this 'Obertura 10' follows the first violin of the Sinfonia of Vinci's Artaserse (Rome 1730) for three bars, rhythm included, then moves to F where the first violin repeats E; a second violin part, so a full match is not expected. |
| 406002769 | PrintLa pupille rusée–G major (Excerpts, Arrangement) | Operas | Wagenseil, Georg ChristophOratorio Per La Novenna Di S. Ignatio | 1 of 1 | Probable Attribution uncertain | 'Du moment que l'on aime' has the melody of the aria (incipit 1.3.1) of an oratorio attributed to Wagenseil as alleged, a tone higher: a parody on that aria. |
| 250015993 | D-GOl Mus. 4° 42b/3Dances–A major | Operas | Walch, Johann HeinrichPieces d'harmonie pour musique militaire | 1 of 1 | Probable Composer disputed | The dance has the tune of the 'Geschwind Marsch' (incipit 1.10.1) of Walch's Pièces d'harmonie a tone apart; the anonymous record cross-references Nohr. |
| 800261899 | GB-Lbl R.M.21.d.16.Concertos–F major | Concertos | Winter, Peter vonConcertos–F major | 1 of 1 | Probable | The violin opening agrees in F major with a concerto attributed to Winter, RISM 850777862, which is for solo oboe, whereas the anonymous material has a solo violin part; the relationship and extent need checking. An E-flat Winter concerto (RISM 450000625) has the same melody a tone lower. |
| 190001882 | S-L Saml.Kraus 157Quartets–B♭ major | Symphonies | Adlgasser, Anton CajetanPietas in Deum–B♭ major | 1 of 1 | Unresolved | The anonymous 'Sinphonia ... a 4' opens with the pitch sequence of the Allegro assai (incipit 1.3.1), an instrumental section before the first recitative of Pietas in Deum, rebarred from 3/8 to 2/4, and diverges afterwards. |
| 800087079 | GB-Ge R.d.54Almahide (Excerpts, Arrangement) | Operas | Ariosti, Attilio, OSMO quam suavis | 1 of 1 | Unresolved | The keyboard piece shares its opening with the Andante (incipit 1.2.1) of Ariosti's motet O quam suavis a tone apart; relationship open. |
| 800070191 | GB-Ge R.d.39Symphonies–D major | Symphonies | Arne, Thomas AugustineMasses–D major | 1 of 1 | Unresolved Attribution uncertain | Matches directly, rhythm included, the opening labelled 'Symphony' of a Mass in D catalogued under Arne (I-Rama); a separately transmitted instrumental introduction is plausible. The Mass is absent from Parkinson's Arne catalogue, so the attribution itself is uncertain. |
| 450026720 | D-Hs ND VII 524Overtures–D major | Overtures | Champein, StanislasLes Dettes | 1 of 1 | Unresolved | Same two bars of repeated-note D-major figuration as the encoded opening of Champein's Les Dettes; too generic to decide without more of either. |
| 400110745 | CH-BEl SLA-Mus-JL MLHs 39/2Le déguisement pastoral (Excerpts) | Operas | Favart, Charles SimonLe Prix de Cythère | 6 of 24 | Unresolved Composer disputed | Several airs share their tunes, a fourth or fifth apart, with vaudevilles in Favart's opéras-comiques; timbres were reused from work to work, so this shows shared tunes rather than a composer. The anonymous record notes the piece was wrongly attributed to Gluck; the comparators cross-reference Francœur and De Rochet. |
| 190004287 | S-HÄ ohne Signatur?Concertos?–D major (Excerpts) | Symphonies | Knölcke, BaltzarRailleri–D major | 1 of 1 | Unresolved | Same pitches as Knölcke's "Railleri" in a different metre; both copies are obscure |
| 402001531 | PrintLe tonnelier–A minor (Excerpts, Arrangement) | Operas | Leone, GabrieleLe Tonnelier–A minor (Excerpts, Arrangement) | 1 of 1 | Unresolved Attribution uncertainTitle already names the work | The same tune as another Tonnelier arrangement under different words ('Dans un verger Colinette' against 'Où courez-vous ma bergère'); that copy names Leone, with a conjectural cross-reference to Audinot. |
| 850636724 | I-COLbarcella 83Overtures–D major | Overtures | Minoja, AmbrogioSonatas–D major | 0 of 1 | Unresolved | One bar and its repeat agree, rhythm included, with a keyboard sonata attributed to Minoja; too short to decide. |
| 300001535 | PL-CZ III-891Overtures–C major | Overtures | Müller, WenzelDer alte Überall und Nirgends (Arrangement) | 0 of 1 | Unresolved | Same rhythm and melody a whole tone lower for three bars as no. 6 (incipit 1.6.1) of a wind arrangement of Müller's Der alte Überall und Nirgends; a rising triad and neighbour-note repetitions are too common to decide without more of either. |
| 850607316 | I-OS Mss.Mus.B 4713Symphonies–G major | Symphonies | Pleyel, IgnaceSymphonies concertantes–A major | 1 of 1 | Unresolved | Anonymous opening equals bars 3-4 of the Pleyel symphonie concertante a step lower; needs the full parts |
| 854005386 | I-Ria Mss. Vess. 917Concertos–F major | Concertos | Pleyel, IgnaceQuintets–E♭ major (Arrangement) | 1 of 2 | Unresolved | Its second incipit (1.1.2) has the melody of the Rondo Allegro (incipit 1.2.1) of a Pleyel quintet arrangement a whole tone higher, the turn written differently; the first incipit is a held G. RISM titles the copy F major, but that first incipit has no key signature. |
| 850815957 | I-Gl NN. 321Artaserse | Operas | Sarti, GiuseppeDidone abbandonata (Excerpts) Tarchi, AngeloIl conte di Saldagna–F major (Excerpts, Arrangement) | Sarti: 1 of 3 Tarchi: 1 of 3 | Unresolved Sarti: Composer disputed Tarchi: Composer disputedAlready named in the record | Sarti: 'Ah che scordar non so' has the melody, under different words and a tone apart, of 'Ah non lasciarmi' (incipit 1.1.2) in a Sarti Didone abbandonata excerpt: a borrowing or a coincidence. The anonymous record cross-references Rispoli and Tarchi. Tarchi: 'Quante pene in tal cimento' has, over nine pitches and under different words, the music of the Rondò 'Ah sol bramo' (incipit 1.2.1) in Il conte di Saldagna excerpts under Tarchi's name, which cross-reference Martín y Soler; the anonymous record cross-references Rispoli and Tarchi. |
| 240007354 | D-SWl Mus.295Concertos–C major | Concertos | Schubarth, Johann KasparFrohlocket ihr Christen und jauchzet–D major | 1 of 5 | Unresolved | The opening of the anonymous incipit 1.2.2 agrees for seven pitches with incipit 1.6.2 of Schubarth's cantata 'Frohlocket ihr Christen', with a slightly different rhythm; too short to decide. |
| 706001606 | B-Nimep Ms 73Concertos–B♭ major | Concertos | Tobi, F.Concertos–G major | 1 of 1 | Unresolved | The same rising-arpeggio figure and rhythm as Tobi's concerto in G, a major third lower; RISM titles the anonymous copy B-flat major but its incipit has three flats, and the figure is generic. |
| 706001200 | B-Bc 12509Siroe (Excerpts) | Operas | Traetta, TommasoSiroe | 0 of 3 | Unresolved | 'Al tuo sangue io son crudele' agrees, with the same words, with the opening of the aria (incipit 1.1.3) in Siroe excerpts under Traetta's name, but the five-bar search also returns copies under Cacace, Ebhardt, Geisler and Hasse, so whose setting it is stays open. |
| 704002008 | B-Br Ms III 1511 (6) MusOvertures–D major | Overtures | Trial, Jean-ClaudeLa Fête de Flore | 1 of 3 | Unresolved | The Andante's triplet-and-repeated-note figure is like the 2e Tambourin (incipit 1.12.1) of Trial's La Fête de Flore, but the rhythm differs and the other two incipits do not match. |
| 800000068 | GB-P O.2?Symphonies?–D major (Excerpts) | Symphonies | Tritto, GiacomoLa fedeltà in amore (Excerpts) | 1 of 1 | Unresolved | Same tonic-arpeggio pattern a fourth apart as an excerpt from La fedeltà in amore; too generic to decide without more of the music. |
| 530003269 | H-PH Mus.Jes. 34Concertos–C major | Concertos | Ullinger, AugustinSymphonies–C major | 1 of 1 | Unresolved Composer disputed | The opening (repeated Cs and a C-major arpeggio) agrees with an Ullinger symphony, but the figure is common and the rhythm differs slightly. The anonymous record cross-references Jazitsek. |
| 850007845 | I-Tf 2 IV 13Operas (Excerpts) | Operas | Abos, Girolamo | Not scored | Rejected | Different words and key; only a common dotted figure agrees |
| 570005116 | SK-J H-621Symphonies–G major | Symphonies | Anfossi, Pasquale | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 704003764 | B-Bc 5379L'ipocondriaco (Excerpts) | Operas | Arcadelt, Jacques + 21 other rejected candidates | Not scored | Rejected | Only a common ornamental figure, deep inside an unrelated work, agrees; the composer's dates also rule it out Other rejected candidates (21)
|
| 840021034 | F-Pn D-1975Le Mariage extravagant | Operas | Auber, Daniel-François-Esprit | Not scored | Rejected | No encoded incipit matches |
| 600258378 | A-Wn Mus. Hs. 10871Operas–D major (Excerpts) | Operas | Bach + 18 other rejected candidates | Not scored | Rejected | Only figuration or a short fragment agrees Other rejected candidates (18)
|
| 1001118376 | PL-Wb M.R.0762Concertos–E♭ major | Concertos | Bach, Carl Philipp Emanuel + 15 other rejected candidates | Not scored | Rejected | Only broken-chord accompaniment figuration agrees Other rejected candidates (15)
|
| 455008510 | D-F Mus Hs 2346Concertos–C major | Concertos | Bach, Johann Sebastian | Not scored | Rejected | Only figuration inside a chorale cantata movement agrees |
| 190004899 | S-Uu Instr. mus. i hs. 63:12Concertos–B♭ major | Concertos | Baltzar, Thomas | Not scored | Rejected | No encoded incipit matches; not rejected on the composer's dates alone |
| 1001302469 | E-Mn MP/3174/8Symphonies–B♭ major | Symphonies | Beethoven, Ludwig van | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 850025478 | I-Vqs MS Cl.VIII.27 (1216)Sonatas–C major | Symphonies | Benevoli, Orazio | Not scored | Rejected | Rhythm and melody differ; only a contour fragment agrees; not rejected on the composer's dates alone. |
| 190001798 | S-L Saml.Engelhart 250Overtures–D major | Overtures | Berger, Ludwig | Not scored | Rejected | Only broken-chord figuration agrees |
| 456011367 | D-Mbs Mus.ms. 180Demetrio (Excerpts) | Operas | Bononcini, Giovanni | Not scored | Rejected | Only a bass line fragment agrees |
| 850007501 | I-Tf 9 III 19-4Operas (Excerpts) | Operas | Borghi, Giovanni Battista | Not scored | Rejected | Melodies differ; only a transposed contour agrees |
| 850004045 | I-Vnm It.IV,451Rosiclea | Operas | Boxberg, Christian Ludwig | Not scored | Rejected | Only a fragment, transposed, agrees |
| 469359400 | D-Bsa SA 3594Trios–G major | Symphonies | Brixi | Not scored | Rejected | Hand review: melodies differ beyond the opening figure |
| 211011811 | D-Dl Mus.2-N-5,1Symphonies–C major | Symphonies | Bruni, Antonio Bartolomeo | Not scored | Rejected | Hand review: melodies differ |
| 190004785 | S-Uu Instr. mus. i hs. 64:12Overtures–A minor | Overtures | Böie, John | Not scored | Rejected | Only a five-pitch fragment agrees with a song |
| 806426294 | GB-Lbl Add. 16143Alessandro Severo | Operas | Caldara, Antonio | Not scored | Rejected | Different words, metre and key; only a descending sequence agrees |
| 551001583 | CZ-ZEL Hu 18Operetta Natalitia | Operas | Carulli, Ferdinando | Not scored | Rejected | Composer born after the copy; only a transposed fragment agrees |
| 400007387 | CH-SAf MusSAf.Ms.445Symphonies–D major | Symphonies | Cavalli, Francesco | Not scored | Rejected | Only a contour fragment agrees, in a different metre; not rejected on the composer's dates alone. |
| 850744600 | I-Nc Arie 211Il Roderico (Excerpts) | Operas | Cellini, Clemente | Not scored | Rejected | Only a bass line fragment inside a psalm agrees |
| 220032364 | D-Z Mu 850Symphonies–C major | Symphonies | Cherubini, Luigi | Not scored | Rejected | Fewer than six pitches agree, from the start or with one incipit entering partway into the other |
| 600241003 | A-Wn E. M. 156mConcertos | Concertos | Cherubini, Luigi | Not scored | Rejected | Only arpeggio figuration inside a Requiem movement agrees |
| 1001171605 | D-ROu Mus. Saec. XVII.18-51.52Overtures–F major | Overtures | Chiti, Girolamo + 1 other rejected candidates | Not scored | Rejected | Only short contour fragments of suite movements agree with a vocal Statuit, in a different key and metre Other rejected candidates (1)
|
| 455016177 | D-Mbs Mus.ms. 3656Il Ciro (Arrangement) | Operas | Chiti, Girolamo | Not scored | Rejected | Only a transposed fragment of a motet agrees |
| 454016146 | D-Mbs Mus.ms. 16183?Symphonies?–F major | Symphonies | Cibulka, Matouš Alois | Not scored | Rejected | Hand review: melodies differ beyond the opening figure |
| 453010413 | D-KA Don Mus.Ms. 2886Potpourris | Operas | Cimarosa, Domenico | Not scored | Rejected | Only a transposed fragment inside an aria agrees |
| 1001330402 | D-ROu Mus. Saec. XVIII-71.20Flavio Anicio Olibrio (Excerpts) | Operas | Clement, Johann Georg | Not scored | Rejected | Only fragments inside a motet agree |
| 850815501 | I-Gl NN. 157A-DSeleuco re di Siria (Excerpts) | Operas | Closner, Johann Michael | Not scored | Rejected | Only eight pitches of a hymn, transposed, agree |
| 450012658 | D-WEY 681Concertos–B♭ major | Concertos | Concialini, Michele | Not scored | Rejected | Composer's dates impossible for this copy; only a fragment agrees |
| 280000037 | D-WRha DNT i 47Overtures–D major (Fragments) | Overtures | Cordicelli, Giovanni | Not scored | Rejected | Only scale fragments agree, transposed and in different metres, with arias of L'Adrasto |
| 1001224082 | GB-Cmc F.4.35Quartets–D minor | Overtures | D'Aprile, Bernardo | Not scored | Rejected | Only a bass-line fragment agrees with a Mass written long after this copy |
| 212003595 | D-Dl Mus.2-O-1,19Concertos–B♭ major | Concertos | Dall'Oglio, Domenico | Not scored | Rejected | Only the first three bars agree, a tone apart, before the melodies part |
| 854005377 | I-Ria Mss. Vess. 910Symphonies–G major | Symphonies | Davide da Bergamo, OFMRef | Not scored | Rejected | Hand review: melodies differ beyond the opening figure |
| 1001030065 | A-LA 1966Der von einer lustigen Zigeunerin mit Weib und Kind dreimal betrogene Bauer | Operas | Demantius, Christoph | Not scored | Rejected | Only a fragment of a Magnificat agrees; the composer's dates also rule it out |
| 450060145 | D-KNmi R 1111 RPotpourris | Operas | Diabelli, Anton | Not scored | Rejected | Only figuration or a short fragment agrees |
| 850739131 | I-Nc Arie 211Il Roderico (Excerpts) | Operas | Dittersdorf, Carl Ditters von | Not scored | Rejected | Only repeated notes agree |
| 190026995 | S-Skma O-RSymphonies–G major | Symphonies | Drechsler, František | Not scored | Rejected | Composer's dates impossible for this copy or genre |
| 603000512 | A-LA 1914Lazanina maga per amore–G major (Excerpts, Arrangement) | Operas | Drobisch, Johann Friedrich | Not scored | Rejected | Only a fragment, in another key, agrees |
| 806156916 | GB-Lgc G. Mus. 433Carà e Rusteno (Excerpts) | Operas | Eberle, Erich, OFMCap | Not scored | Rejected | Composer born after the copy; no encoded incipit matches |
| 570004580 | SK-J H-717Concertos–F major | Concertos | Eberwein, Carl | Not scored | Rejected | Only a fragment inside a Singspiel agrees |
| 600500124 | A-Wn Mus. Hs. 7697Operas | Operas | Faber, Franz | Not scored | Rejected | Seven pitches of an Agnus Dei agree, under different words and in another metre |
| 402007150 | CH-Lz Ms.N.46:3.23Operas (Excerpts) | Operas | Fassbaender, Peter | Not scored | Rejected | Only figuration or a short fragment agrees |
| 1001320767 | CZ-LIa No 174 hud.Symphonies–D minor | Symphonies | Fodor, Josephus | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 400003780 | CH-MÜ Ms A 13|4Symphonies–D major | Symphonies | Formichi, Pietro | Not scored | Rejected | Only a descending D-major arpeggio agrees, inside a much later incipit |
| 400061304 | CH-Sa Rz 221/2Concertos–D major | Concertos | Franz, Jacob | Not scored | Rejected | Only a fragment inside a Mass Gloria agrees |
| 850678513 | I-Nc 33.5.29@21La Clori (Excerpts) | Operas | Fröhlich, Friedrich Theodor | Not scored | Rejected | Composer born after the copy; different words and key |
| 240007339 | D-SWl Mus.251Symphonies–F major | Symphonies | Fux, Johann Joseph + 1 other rejected candidates | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection Other rejected candidates (1)
|
| 600241007 | A-Wn E. M. 156qConcertos | Concertos | Führer, Robert | Not scored | Rejected | Only a fragment inside a Mass movement agrees |
| 1001320765 | CZ-LIa No 174 hud.Symphonies–E♭ major | Symphonies | Gazzaniga, Giuseppe | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 850605742 | I-OS Mss.Mus.B 4667Concertos–E♭ major | Concertos | Gerold, Julius Viktor | Not scored | Rejected | Only six pitches, inside a dance, agree |
| 1001036244 | US-CAe Mus 894.110Der betrogene Bräutigam | Operas | Gluck, Christoph Willibald + 1 other rejected candidates | Not scored | Rejected | Only short fragments agree, under different words and in other keys Other rejected candidates (1)
|
| 1001011669 | PL-CZ III-928Concertos–F major | Concertos | Graun, Carl Heinrich | Not scored | Rejected | Only a short cadential figure agrees, inside an aria in another key |
| 704002011 | B-Br Ms III 1511 (9) Mus?Overtures?–D major | Overtures | Graupner, Christoph | Not scored | Rejected | Only a transposed broken-chord fragment agrees with an aria accompaniment |
| 469304100 | D-Bsa SA 3041Concertos–D major | Concertos | Gronau, Daniel Magnus | Not scored | Rejected | Only a transposed fragment of a contrapuntal study agrees |
| 270002531 | D-Dl Mus.4104-F-596Forte questa con attenzione–D major | Operas | Guglielmi, Pietro Alessandro | Not scored | Rejected | Rhythm and key differ; only a contour agrees |
| 1001238252 | D-Mbs Mus.Schott.As 800Le Braconnier–D major (Excerpts, Arrangement) | Operas | Guglielmi, Pietro Carlo | Not scored | Rejected | Seven pitches agree with an aria under different words, a key apart; rhythm differs |
| 1001035351 | PrintSymphonies–G major | Symphonies | Gyrowetz, Adalbert | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 600258862 | A-Wn Mus. Hs. 14917Operas (Excerpts, Arrangement) | Operas | Gyrowetz, Adalbert | Not scored | Rejected | Only figuration or a short fragment agrees |
| 190015610 | S-Uu Instr. mus. i hs. 62:4?Concertos?–A major | Concertos | Hasse, Johann Adolf | Not scored | Rejected | Only six pitches agree, inside an aria from Ezio in another key |
| 570002608 | SK-J H-708Symphonies–D major | Symphonies | Hasse, Johann Adolf | Not scored | Rejected | Melodies differ; only a fragment agrees once grace notes are read |
| 840002804 | F-AG 699Operas (Excerpts) | Operas | Hasse, Johann Adolf | Not scored | Rejected | Only a fragment deep inside an aria agrees |
| 600241001 | A-Wn E. M. 156kConcertos | Concertos | Haueisen, Wolfgang Nicolaus | Not scored | Rejected | Melodies differ; only a transposed fragment of an aria agrees |
| 553001704 | CZ-PELmv 12688Symphonies–F major | Symphonies | Haydn, Joseph | Not scored | Rejected | Only a repeated neighbour-note figure agrees |
| 553001702 | CZ-PELmv 12686Symphonies–D major | Symphonies | Herpol, Homer | Not scored | Rejected | No encoded incipit matches; not rejected on the composer's dates alone. |
| 570005126 | SK-J H-742Symphonies–D major | Symphonies | Hertel, Johann Wilhelm | Not scored | Rejected | Hand review: melodies differ beyond the opening figure |
| 800238351 | GB-Lbl R.M.23.e.8.(14.)Semiramide–B♭ major (Excerpts) | Operas | Hertel, Johann Wilhelm | Not scored | Rejected | Only six pitches inside a concerto agree |
| 850007502 | I-Tf 9 III 19-8Operas (Excerpts) | Operas | Hiller, Johann Adam | Not scored | Rejected | Only figuration or a short fragment agrees |
| 450203600 | D-Eu Esl VIII 711Concertos–G major (Excerpts) | Concertos | Holzbauer, Ignaz | Not scored | Rejected | Melodies differ |
| 850030780 | I-Rli Musica M 15/2Teodora clemente (Excerpts, Arrangement) | Operas | Huber, Eugen | Not scored | Rejected | Only a fragment inside a modern piano piece agrees |
| 453001018 | D-Gs 8|o Cod. Ms. philos. 84|e: Anon. 15bConcertos–F major | Concertos | Händel, Georg Friedrich | Not scored | Rejected | Only repeated notes and a triad agree |
| 850708125 | I-Pl ATVb 77Symphonies–D major | Symphonies | Hönicke, Friedrich | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 250000159 | D-WRl HMA 3897Operas | Operas | Jöpel, Johann Christian | Not scored | Rejected | Only fragments inside a chorale setting, in another key, agree |
| 454009597 | D-MT Mus.ms. 227Concertos–G major | Concertos | Kempter, Karl | Not scored | Rejected | Composer born after the copy; no encoded incipit matches |
| 451508718 | D-W Cod. Guelf. 270 Mus. Hdschr. (Nr. 63)?Symphonies? | Symphonies | Kücken, Friedrich Wilhelm | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 212003573 | D-Dl Mus.2-O-1,17Concertos–G major | Concertos | Lalande, Michel-Richard de | Not scored | Rejected | Only a few pitches of a Credidi agree |
| 1001321317 | GB-HFr DE/P/F550Compatir me sier sanetto [?]–D major (Excerpts, Arrangement) | Operas | Lang, Josephine | Not scored | Rejected | Only figuration or a short fragment agrees |
| 402002184 | PrintLe chapitre second–F major (Excerpts, Arrangement) | Operas | Lechleitner, Wilhelm, CanReg | Not scored | Rejected | Only a transposed fragment inside a sacred work agrees |
| 400066263 | CH-Gc Ab 3Les deux Edmond | Operas | Legrenzi, Giovanni | Not scored | Rejected | Only a fragment inside an aria agrees |
| 850012465 | I-Bsp MS.D.1.9Symphonies–D major | Concertos | Leo, Leonardo | Not scored | Rejected | Hand review: melodies differ beyond the opening figure |
| 706000603 | B-Bc FRW 12200Felice età dell'oro–C major | Operas | Lindpaintner, Peter Josef von | Not scored | Rejected | Only a fragment inside a song agrees |
| 603000514 | A-LA 1914Lazanina maga per amore–G major (Excerpts, Arrangement) | Operas | Loos, Karel | Not scored | Rejected | Only a fragment deep inside a wedding song agrees |
| 852035179 | I-MC 6-D-14/13Il Tenzone (Excerpts) | Operas | Manna, Gennaro | Not scored | Rejected | Rhythm differs; only a transposed contour agrees |
| 806252343 | GB-Lbl Add. 71539Symphonies–E♭ major | Symphonies | Maschek, Vinzenz | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 190011118 | S-Skma PO-RConcertos–C major | Concertos | Meerts, Lambert-Joseph | Not scored | Rejected | Composer born after the copy; only a transposed étude figure agrees |
| 469467900 | D-Bsa SA 4679Symphonies–G major | Symphonies | Meisl, Josef Alois | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 1001296431 | D-ROu Mus. Saec. XVIII-63.8Concertos–G major | Concertos | Mergner, Friedrich | Not scored | Rejected | Composer born a century after the copy; only a fragment agrees |
| 400014094 | CH-E 21,22Concertos–F major | Concertos | Methfessel, Albert | Not scored | Rejected | Melodies differ; only a transposed fragment agrees |
| 806549977 | GB-Mp Ms. 580Ct51 vv.1-6Concertos–F major | Concertos | Miseroca, Bastiano | Not scored | Rejected | Only a bass figure agrees |
| 1001371667 | D-Mbs Mus.ms. 16325-3Lenore (Excerpts, Arrangement) | Operas | Mittich, Ferdinand | Not scored | Rejected | Only figuration or a short fragment agrees |
| 240007370 | D-SWl Mus.316Concertos–E major | Concertos | Moniuszko, Stanisław | Not scored | Rejected | Composer born after the copy; only a fragment agrees |
| 280000139 | D-WRha DNT 39eDie Nachwelt wird einst staunen | Operas | Moniuszko, Stanisław | Not scored | Rejected | Composer born after the copy; only a fragment agrees |
| 840021501 | F-Pn VM6-58 (1)L'Impromptu de Limours | Operas | Moser, Lorenzo | Not scored | Rejected | Only a fragment inside a solfeggio agrees |
| 455026202 | D-NBss Mus. ms. 435?Operas? (Excerpts) | Operas | Mozart, Wolfgang Amadeus | Not scored | Rejected | No encoded incipit matches |
| 850013314 | I-MOe MS Mus. F. 1547@13-@23Vespasiano (Excerpts) | Operas | Mozart, Wolfgang Amadeus | Not scored | Rejected | A copy of the 1690s cannot be Mozart; only a transposed contour agrees |
| 500501329 | HR-KPm 1b/138cPotpourris | Operas | Müller, Johann Immanuel | Not scored | Rejected | No encoded incipit matches |
| 850027204 | I-COLbarcella 31@bConcertos–C major | Concertos | Müller, Wenzel | Not scored | Rejected | Only a fragment of a Singspiel number, in another key and metre, agrees |
| 280001054 | D-WRha DNT 115eArias | Operas | Naumann, Johann Gottlieb | Not scored | Rejected | A recitative under different words agrees only in a few pitches with an aria |
| 450001617 | D-BAR Ba 120 Bü 378Overtures–D major | Overtures | Neruda, Johann Baptist Georg | Not scored | Rejected | Only a D-major triad opening agrees, in a different metre and rhythm |
| 453001017 | D-Gs 8|o Cod. Ms. philos. 84|e: Anon. 15aConcertos–B♭ major | Concertos | Orlandini, Giuseppe Maria | Not scored | Rejected | Only repeated notes agree |
| 1001319606 | I-Rig MS MUS Rost 299 aAtala (Arrangement) | Operas | Paisiello, Giovanni | Not scored | Rejected | Only a figure inside an aria, in another key, agrees |
| 800159684 | GB-Lam MS 84 BScipione nelle Spagne (Excerpts) | Operas | Pallavicino, Carlo | Not scored | Rejected | Ten pitches agree with an aria under different words, a key apart |
| 190009622 | S-Skma O-RSymphonies–E♭ major | Symphonies | Pampani, Antonio Gaetano | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 1001170744 | D-ROu Mus. Saec. XVII.18-51.49Overtures–D major | Overtures | Paër, Ferdinando | Not scored | Rejected | Only short fragments agree with numbers from Sargino, an opera written a century after this copy |
| 451512024 | D-Wa 46 Alt 780Operas (Fragments) | Operas | Paër, Ferdinando | Not scored | Rejected | Only a scale fragment inside an aria agrees |
| 850607665 | I-OS Mss.Mus.B 4699Symphonies–D major | Symphonies | Pecháček, Franz Martin | Not scored | Rejected | Hand review: melodies differ |
| 1001202921 | D-B Mus.ms. 30435,9Das Leben ein Traum (Excerpts) | Overtures | Perez, Davide | Not scored | Rejected | Only an eight-pitch fragment agrees with a bass solo from a Mattutino de' morti, in a different key |
| 270001084 | D-Ds ohne SignaturArias | Operas | Pergolesi, Giovanni Battista | Not scored | Rejected | The contour agrees for 11 pitches with the aria 'Nella sventura estrema' a fourth apart, but the rhythm differs throughout |
| 850003939 | I-Nc Musica Strumentale 34-39Concertos–C major | Concertos | Pistocchi, Francesco Antonio | Not scored | Rejected | The same ornamented stepwise rise as an aria, but metre and rhythm differ |
| 453002236 | D-KA Mus. Hs. 266Concertos–G major | Concertos | Plá, Juan Bautista | Not scored | Rejected | Only a descending line of repeated notes agrees |
| 240007362 | D-SWl Mus.293Concertos–C major | Concertos | Rauzzini, Venanzio | Not scored | Rejected | Only fragments inside a sonata in another key agree |
| 270002715 | D-Dl Mus.1-F-531Operas (Excerpts) | Operas | Reichel, Adolf | Not scored | Rejected | Only a fragment inside a modern copy of a sonata agrees |
| 1001225027 | D-Mbs Mus.Schott.As 938Concertos–F major | Concertos | Resch, L. György | Not scored | Rejected | Only a transposed fragment inside an Ave Maria agrees |
| 280000408 | D-WRha DNT 226e2Ja wahrhaftig 's kann nicht schaden | Operas | Reuß, Heinrich IV. | Not scored | Rejected | Melodies differ; only a few pitches agree |
| 850605102 | I-OS Mss.Mus.B 4595Symphonies–C major | Symphonies | Riedt, Friedrich Wilhelm | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 850807553 | I-MTc A47Concertos–C major | Concertos | Rietz, Julius | Not scored | Rejected | Composer born after the copy; no encoded incipit matches |
| 900010805 | US-Bu BSO Collection, vol.207Operas (Excerpts) | Operas | Rossini, Gioachino | Not scored | Rejected | Recitatives under different words agree only in a few pitches |
| 340000399 | J-Tk S13-178Concertos–C minor | Concertos | Rungger, Joseph | Not scored | Rejected | Only seven pitches, in another key and metre, agree |
| 806549975 | GB-Mp Ms. 580Ct51 vv.1-6Concertos–D major | Concertos | Sacchini, Antonio | Not scored | Rejected | Melodies and rhythm differ on inspection |
| 700009322 | B-Br Ms II 3219/2 MusOperas (Excerpts) | Operas | Saemann, Carl Heinrich | Not scored | Rejected | No encoded incipit matches |
| 840018826 | F-Pn D-18411Pieces | Operas | Salieri, Antonio | Not scored | Rejected | Rhythm and metre differ; only a transposed contour agrees |
| 280004122 | D-RUl Sa 10Overtures | Overtures | Scarlatti, Alessandro | Not scored | Rejected | Only short transposed fragments agree with arias of Il Sedecia |
| 212008730 | D-Dl Mus.2666-K-1Bel viso per mi moro–G minor | Operas | Schiassi, Gaetano Maria | Not scored | Rejected | Only figuration or a short fragment agrees |
| 1001109262 | PL-SA 524.1/A IX 4Symphony–G major | Symphonies | Schuster, Joseph | Not scored | Rejected | Fewer than six pitches agree, from the start or with one incipit entering partway into the other |
| 400014095 | CH-E 21,24Concertos–G major | Concertos | Seidel, Franz | Not scored | Rejected | Only a transposed fragment of a vocal piece in another metre agrees |
| 704002019 | B-Br Ms III 1511 (17) Mus?Overtures?–A major | Overtures | Seidl, Maria Stanislava Katharina von, OSU | Not scored | Rejected | Only broken-chord figuration agrees |
| 706001411 | B-Mse FSE 369/9Merope | Operas | Stumpff, Carl | Not scored | Rejected | Only repeated notes agree |
| 240007386 | D-SWl Mus.301Concertos–D major | Concertos | Telemann, Georg Philipp | Not scored | Rejected | Only a generic figure agrees with an aria in another key |
| 706000598 | B-Bc FRW 12200Io sento che in petto–G major | Operas | Transchel, Christoph | Not scored | Rejected | Only figuration or a short fragment agrees |
| 806934787 | GB-Lfom Accession Number 542La tua gran pena–E minor | Operas | Umbreit, Karl Gottlieb | Not scored | Rejected | Composer born after the copy; only a transposed figure agrees |
| 1001374730 | PL-MO 917Symphonies–E♭ major | Symphonies | Vanhal, Johann Baptist | Not scored | Rejected | Hand review: melodies differ beyond the opening figure |
| 854006142 | I-Ria Mss. Vess. 1138Symphonies–D major | Symphonies | Vargas, Urbán de | Not scored | Rejected | Only repeated notes agree; not rejected on the composer's dates alone. |
| 600241015 | A-Wn E. M. 157gConcertos–E minor | Concertos | Verdú y Landívar, José | Not scored | Rejected | Only repeated notes agree |
| 451025526 | D-DT Mus - n 1697Potpourris | Operas | Vierling, Johann Gottfried | Not scored | Rejected | Only a fragment inside a cantata aria agrees |
| 150204727 | DK-Kk (mu 7501.2335)Concertos | Concertos | Vinci, Leonardo | Not scored | Rejected | Only a descending scale in repeated notes agrees, inside an excerpt in another key |
| 240004852 | D-SWl Mus.5321/1Concertos–D major | Concertos | Vivaldi, Antonio | Not scored | Rejected | Only a scale and arpeggio fragment, transposed, agrees |
| 402009931 | CH-BEl SLA-Mus-JL MLHs 124Le Chinois de retour | Operas | Vivaldi, Antonio | Not scored | Rejected | Only a fragment deep inside a symphony incipit agrees |
| 806250192 | GB-Lbl Add. 50138Concertos–C major | Concertos | Vivaldi, Antonio | Not scored | Rejected | Only five pitches agree |
| 1001102497 | PL-KOZmzk mzk/m/4La chatte metamorphosée en femme–G major | Operas | Walch, Johann Heinrich | Not scored | Rejected | Only a broken-chord accompaniment figure agrees |
| 600094149 | A-M VI 103Operas (Excerpts) | Operas | Wiesner | Not scored | Rejected | Only seven pitches, transposed, agree |
| 469191400 | D-Bsa SA 1914Symphonies–D major | Symphonies | Willmann, Samuel David | Not scored | Rejected | Only a common scale or arpeggio fragment agrees on inspection |
| 850738985 | I-Nc Arie 211Il Roderico (Excerpts) | Operas | Witt, Franz Xaver | Not scored | Rejected | No encoded incipit matches |
| 456007997 | D-KBD KBD/KES K4 Ms011 (Nr. 6)Symphonies–D major | Symphonies | Żebrowski, Marcin Józef, OSPPE | Not scored | Rejected | Hand review: melodies differ beyond the opening figure |
No copies match these filters. Select another bubble or reset the filters.
Anonymous RISM sources with incipits, by subject heading. Genres with several movements went first because agreement across them gives stronger evidence.
| Subject | Anonymous with incipits | Leads reviewed | Found | Status |
|---|---|---|---|---|
| Symphonies | 878 | 119 | 83 | searched 2026-09-26 |
| Concertos | 899 | 97 | 54 | searched 2026-09-26 |
| Sonatas | 3,217 | open | ||
| Overtures | 329 | 45 | 30 | searched 2026-10-03 |
| Operas | 1,771 | 174 | 107 | searched 2026-09-26 |
| Masses | 5,853 | open | ||
| Arias (voc.) | 8,299 | open |
Also: 28 pairs of anonymous copies (4 with no prior concordance found in the checked RISM records) that agree with each other on two or more incipits, reviewed by eye. These group copies of one work without naming its composer.
Catalogue data and incipits come from RISM (Répertoire International des Sources Musicales), CC BY 4.0. Incipits are rendered with Verovio. Source and data: https://github.com/aaymeloglu/rism-attributions.